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Word: aarons (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Boston Symphony--Koussevitzky premieres Aaron Copland's Third Symphony Friday afternoon and Saturday evening, with Erica Morini adding to Tschaikowsky Violin Concerto and Strauss' "Till Eulenspiegel" concluding the program...

Author: NO WRITER ATTRIBUTED | Title: EVENTS OF THE WEEK IN BOSTON | 10/15/1946 | See Source »

Kinkeldy, former professor of Musicology at Cornell, will he visiting Lecturer in music under the Horatio Appleton Lamb Fund, which as in the past sponsored such men as Bela Bartok, Georges Euesco, Aaron Copland, Gustav Holst, and Hugo Leichtentritt. Kinkeldy will conduct a seminar in musical history this fall and will also teach the University's introductory course in music research...

Author: NO WRITER ATTRIBUTED | Title: Music Department projects Spring Symposium on Criticism of Music | 9/23/1946 | See Source »

...compositions being composed for the symposium concerts would of themselves make the event an important one in American music history. Some of the most important moderns in the world have agreed to write new compositions for the concerts, among the Walter Piston. Arnold Schoenberg, Paul Hindemith. Aaron Copland, and G. Francesco Malipiero...

Author: NO WRITER ATTRIBUTED | Title: Music Department projects Spring Symposium on Criticism of Music | 9/23/1946 | See Source »

...Wagner, found the cacophony of William Grant Still's Afro-American Symphony a little hard to take. So did some in the audience at Hollywood Bowl last week. But they were impressed by the conservative and competent way he handled Weber's tried & true overture to Oberon, Aaron Copland's El Salon Mexico...

Author: /time Magazine | Title: Music: Debut in the Bowl | 9/2/1946 | See Source »

...writings of Thomas Jefferson, set to music by Composer Randall Thompson, are sung by the Harvard Glee Club accompanied by the Boston Symphony Orchestra (The Testament of Freedom; Victor, 6 sides). Aaron Copland's A Lincoln Portrait (Columbia, 4 sides) is narrated by Negro Baritone Kenneth Spencer to a derivative score played by the Philharmonic-Symphony Orchestra of New York. In both these cases the words are wasted on pretentious, slight music...

Author: /time Magazine | Title: Music: The New Records | 8/5/1946 | See Source »

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