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...Aaron will soon be soloing himself. First his younger brother (Cameron Boyd) is sent off to relatives so that the family can save money. Next his mother enters a tuberculosis sanatorium. Finally his father hits the road selling watches -- the only job he can get in the Depression. That leaves Aaron, who hides his survivor's wit under a deadpan demeanor, to fend for himself in the shabby hotel where the declassed Kurlanders have washed...

Author: /time Magazine | Title: Avoiding The Cutes | 8/23/1993 | See Source »

...encounter Aaron Kurlander (Jesse Bradford), 12, reading a paper to his school class in St. Louis, Missouri, in 1933. It's a very persuasive fantasy in which he imagines Charles Lindbergh calling him for advice on what food to take on his transatlantic solo flight. The boy suggests that cheese sandwiches are always good...

Author: /time Magazine | Title: Avoiding The Cutes | 8/23/1993 | See Source »

Tanglewood certainly deserves its reputation as a magnet for musical genius and a germinating ground for talent. It wasn't the crowds that kept Aaron Copeland coming back for half a century...

Author: By Daniel Altman, | Title: Tanglewood Creates Its Own Climate on the Lawn | 8/20/1993 | See Source »

...parallel story line, Janie's best friend Harriet Cornwall (Sumalee Gunanukorn), a Harvard M.B.A., climbs the corporate ladder at Colgate-Palmolive while she is sleeping with her boss's boss, Paul Stuart, who is married. Paul (Aaron Zelman) is suitably unctuous. Harriet is ambitious and serves well as the straight woman for many of the jokes on Yiddish pronunciation that had the Loeb Ex audience laughing out loud at the play. Claire Ellis turns in a convincing performance as the corporate achiever Lillian Cornwall, Harriet's motn. Bill Selig and Mark Fish were both serviceable in their supporting roles...

Author: By Ira E. Stoll, | Title: Wasserstein's 'Romantic' Provides Well-Balanced Amusement | 7/9/1993 | See Source »

...truly spellbind and has become just another disenchanted thing in a world with a depressing deficit of magic. But watch a child playing Nintendo. See the way it ensnares the attention, engages the imagination. It's the modern, rough equivalent of how a youngster might have felt watching Hank Aaron hit one into the cheap seats...

Author: /time Magazine | Title: Winning Is the Only Thing | 7/5/1993 | See Source »

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