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When Lieberman-Warner reaches the Senate floor, probably in June, the talk has to get serious. Clinton voted for the bill in committee, but may abandon the bill if it moves to the right in search of votes. (The bill's champion, Senate Environment Committee chairman Barbara Boxer, has vowed not to let that happen.) McCain hasn't embraced the bill, even though he has a real record on the issue. He and Lieberman sponsored cap-and-trade bills in 2003, 2005 and early 2007, when most Senators were missing in action. During the primary, he downplayed that history...
...Obama's tone was defensive and flat, and his answer to a question about whether Clinton should abandon her still unlikely bid for the nomination betrayed how the entire episode has knocked the front runner off his stride. "I'm sure that Senator Clinton feels like she's doing me a great favor," Obama said, "because she's been deploying most of the arguments that the Republican Party will be using against me in November." Which might be enough to make a guy bitter...
...movie, that we should all come up with our own rules to live by. Some are more cynical and some are really romantic,” she said. “My co-writer was far more cynical and I was more romantic. He would say ‘abandon the pursuit of happiness’ and I would say ‘believe in fairy tales.’ But we like that because that’s what life is. Some days you’re going to say ‘promote beauty’ and some...
...Nights” and contain up-tempo beats and driving guitar riffs. The last eight songs, belonging to “Sunday Mornings,” have an acoustic, folk-inspired sound. When considered as a whole, the two halves form a distinctive album that is about partying with abandon in one moment and picking up the pieces of your life in the next. Gil Norton, whose past credits include efforts by the Foo Fighters, produced the first half, while Brian Deck, who has worked with Iron & Wine, is responsible for the second half. Norton’s influence...
...Modern Times” left them totally inert. Danger Mouse brings new ears and a new context to the band, and for the most part they embrace it and execute it well. But it’s difficult not to hunger for the shaggy growl and feedback-warped abandon of their finest work. Whether they take this extra momentum forward to future work remains to be seen, but if not, “Attack & Release” will still stand as a strong and adventurous experiment for Akron’s finest.—Staff writer Ryan J. Meehan...