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Hand Cranks. Finally, the Count's aria ended. Solti scurried to the conductor's dressing room. It was an opportune moment to abandon the podium, because the opera had moved into a recitative section. Thus while Figaro was discovering that he was the long-lost son of two people he could live without, Solti was holding cold compresses to his head. Like the seasoned pros they are, the members of the orchestra began the subsequent sextet by themselves. His arms beating as he ascended into view, Solti returned to his place. His wound turned out to be minor...

Author: /time Magazine | Title: Music: The Opera Week That Was | 9/20/1976 | See Source »

Both candidates favor using U.S. pressure on Rhodesia to move toward "majority" (black) rule and on South Africa to abandon apartheid. Both want the U.S. to work with all parties toward an overall settlement in the Middle East?even Kissinger agrees that his old step-by-step technique is outdated?and both risk offending some Jewish voters by accepting the view that Israel should give up substantial territory that it seized from the Arabs during the 1967 war in return for some kind of international guarantee of its safety...

Author: /time Magazine | Title: THE ELECTION: CAMPAIGN KICKOFF | 9/13/1976 | See Source »

...continued rioting and violence within South Africa's black townships. Late last week violence spread to a white area for the first time, as 3,000 nonwhites clashed with police in central Cape Town. Over the long term, the U.S. hopes to persuade South Africa to abandon-or at least drastically modify-its system of apartheid, or racial separation. But for the moment, Kissinger and Vorster will concentrate on two problems on which some progress is possible: Namibia (or South West Africa) and Rhodesia...

Author: /time Magazine | Title: SOUTHERN AFRICA: Kissinger's Mission to Zurich | 9/13/1976 | See Source »

...fine, let them think whatever they want. After a while, however, Marthe and Ludovic agree that they are bearing the burden of suspicion without reaping any of the benefits. So they have at it with the sort of manufactured high spirits that could be bottled and labeled "Whimsical Abandon." They check into a hotel for a quick afternoon rendezvous, lose track of time and spend the rest of the day together, making love and painting silly designs over each other's bodies. They practically clobber each other with cuteness...

Author: /time Magazine | Title: Cinema: Imported Variety | 9/13/1976 | See Source »

Parker recreates old movie clichés with shameless abandon: a car chase is routed through a barn, from which the autos emerge covered with straw and squawking hens. Fat Sam's speakeasy has a janitor (played by a winning, wistful Albin Jenkins) who mops floors and dreams of being a tap dancer. Parker reproduces, in the character of Blousey. the goody-goody bitchiness that made the "nice girls" of gangster flicks such eminent candidates for strangulation. The hoofing is exuberant and surprisingly adept, even if Paul Williams' musical score is a little slick. The whole movie...

Author: /time Magazine | Title: Cinema: Little Caesars in Never-Never Land | 9/6/1976 | See Source »

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