Word: abbado
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Dates: during 1970-1979
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...many an opera buff the music is all well and good, but what really counts is the thrill of encountering a glamorous big-name conductor-such as Paris' Sir Georg Solti (who will conduct Le Nozze di Figaro and Otello) or La Scala's dashing Claudio Abbado (Macbeth, La Cenerentola, Simon Boccanegra). Or being present when an important artist breaks through into international stardom-as, say, Paris' dulcet-voiced soprano Margaret Price (the Countess in Figaro, Desdemona in Otello) may well do this time. Before La Scala and Paris wind up their two-week stands (Paris will...
Although Kaiser is impressed by such Italian theatrical and musical artists as Milan's Director Giorgio Strehler, Conductor Claudio Abbado and Pianist Arturo Benedetti Michelangeli, he is bored by the country's literature. "There are not many good Italian novels, probably because the Italian language has become over-rhetorical." Like Steiner, Kaiser is impressed by the intellectual ferment in France, particularly "the discussions influenced by Claude Levi-Strauss and the structuralists on one side and the Sartre pupils on the other." But except for the novels of Michel Butor and Claude Simon, whom he considers the most talented...
ROSSINI: LA CENERENTOLA (DG, 3 LPs). From Conductor Claudio Abbado comes a stereo recording worthy of Rossini's comic masterpiece...
Rossini, La Cenerentola (Teresa Berganza, Luigi Alva, Renato Capecchi, Paolo Montarsolo, London Symphony Orchestra, Scottish Opera Chorus, Claudio Abbado conducting; Deutsche Grammophon, 3 LPs, $20.94). Despite the greater popularity of Il Barbiere di Siviglia, this is actually the composer's comic masterpiece, a work in which the stuff of childish fantasy is transformed breathtakingly into the best kind of adult fun and games. In the title role, Spain's Teresa Berganza sings with a bravura coloratura style that (among mezzos) only Marilyn Home might match. Conductor Claudio Abbado not only has opted for a newly cleaned-up version...
...Maria Giulini. His histrionic performance of the "Pathetique" Symphony pleased the Friday afternoon matrons but caused a furor which led the members of the orchestra to request publicly that several Boston critics be banned from future performances. Seiji Ozawa's interpretation of Carmina Burana was much better, and Claudio Abbado's choice of new music was a refreshing change...