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...major chord trumpeted by the horns wanes into an A minor chord, and the reiteration of this three-second transformation during the hour-and-a-half of Abbado's new Deutsche-Grammophon recording with the Chicago Symphony warps the texture of adventure, love and almost militant drive and power until the five angels ascend, Wormwood falls, locusts emerge from the great pit, or--is it possible to compare--Brando gets what he deserves. The Pentagon might object to this violent death, or respond by sending in troops of its own. Mahler, who became a Roman Catholic in 1997, seven years...

Author: By Robert F. Deitch, | Title: Francis Ford Mahler's Sixth | 1/26/1981 | See Source »

...Piano and Orchestra Nos. I and 2. Arnold Schönberg: 17 short piano pieces. Anton Webern: Variations for Piano. Pierre Boulez: Second Sonata for Piano. Luigi Nono: Music for Soprano, Piano, Orchestra and Magnetic Tape (Slavka Taskova, soprano, and the Symphony Orchestra of the Bayerischen Rundfunks, Claudio Abbado, conductor; Deutsche Grammophon, five LPs). Pollini's herculean fingering stands out even in that select circle of great young pianists to which he belongs. His Chopin Etudes may set a new standard for his generation; his performance of Schubert's difficult late sonatas is a triumph of athletic...

Author: /time Magazine | Title: Music: Sounds for the Solstice | 12/22/1980 | See Source »

Pollini and Nono spend part of each summer at Conductor Claudio Abbado's house in Sardinia, playing netball and cards and, of course, arguing politics. (Pollini and Abbado are former members of the Communist Party, Nono still belongs.) When Pollini is not going to the movies -Woody Allen is a favorite-he reads constantly to enrich his musical culture: criticism, biographies, memoirs. In his practicing, as in everything about the piano, he goes his own way. There was, for instance, the time he closeted himself to prepare for an important concert. Friends, hearing no music, opened his door...

Author: /time Magazine | Title: Music: Reluctant Cinderella | 4/21/1980 | See Source »

Bartók: Piano Concertos Nos. 1 and 2 (Maurizio Pollini, Chicago Symphony, Claudio Abbado conductor, Deutsche Grammophon). Pollini has had a banner year on disc, issuing fine performances of a staple of the repertory (Beethoven's Third Concerto) as well as an avant-garde experiment (Luigi Nono's... sofferte onde serene ...). This set-modernist but accessible- falls happily in-between. Bartók's angular octaves and Hungarian folk rhythms tempt many pianists to turn into percussionists. Pollini achieves a biting authority without ever banging...

Author: /time Magazine | Title: Music: Sounds for a Winter Night | 1/14/1980 | See Source »

...means being surrounded by a mere dozen or so people. The entrance to his property has a closed-circuit TV camera for screening visitors, yet the gate is rarely shut, except at night, because nobody wants to be bothered with all that opening and closing. Musicians like Conductor Claudio Abbado, in-laws, the curator of Pesaro's Rossini Museum, journalists, the local -the guests constantly come...

Author: /time Magazine | Title: Music: Privacy, Pavarotti Style | 9/24/1979 | See Source »

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