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...Samuel Abbott, the director, has had the sense to realize what Mr. Pickett has done to poor old Shakespeare, and he has ordered the rest of the cast to speak as quietly and as naturally as possible. This mutes their bombast well enough--and one can't in all conscience complain about that: there's entirely too much noise in almost every Shakespeare production--but it seems to be of little avail. With the exception of a few actors, like Mr. Abbott himself (who is the languid and ailing King Edward), or Andreas Teuber (a vital Buckingham, and a perfect...

Author: By Anthony Hiss, | Title: Richard III | 11/9/1962 | See Source »

...that is another point: one is forced to listen to them for a very long time. Mr. Abbott has cut 800 lines from the play--and it still runs close to three and a half hours. As long as Richard is on stage, one's attention is continuously riveted, but when he leaves...

Author: By Anthony Hiss, | Title: Richard III | 11/9/1962 | See Source »

Although he never had any intentions of becoming a novelist, he grew more and more absorbed in writing short stories as time went on. Gordon Abbott Jr. '50, one of his roommates, says that Lodge used to travel the streets of Cambridge at night, looking for source material for his stories...

Author: By Hendrik Hertzberg, | Title: George Lodge at Harvard | 11/3/1962 | See Source »

...author's name is Summer Arthur Long, and he has never written a play before (which is not unbelievable when you think very hard about it), but he is a man of enough professional acumen to have signed up one of the best directors in the business, George Abbott, who for his part has had enough sense to sin up a perfect cast: Paul Ford (dad), Maureen O'Sullivan (mom), and Orson Bean (son-in-law). Do you follow...

Author: By Anthony Hiss, | Title: Never Too Late | 10/31/1962 | See Source »

Died. Charles Hopkinson, 93, dean of U.S. portrait artists; in Manchester, Mass. A proper Bostonian known as the "court painter of Harvard" for his precise oils of Presidents Charles W. Eliot (his uncle), Abbott Lawrence Lowell and James B. Conant, Hopkinson dashed off impetuous watercolors for pleasure, but turned a cool New Englander's eye to his investigations of famous men. His first portrait was of the late E. E. Cummings as a baby, and his later works ranged from John D. Rockefeller Jr. to Herbert Hoover and a dour, purse-mouthed Calvin Coolidge, which now hangs...

Author: /time Magazine | Title: Milestones: Oct. 26, 1962 | 10/26/1962 | See Source »

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