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Thus far, the payoff has been encouraging. The latest Pine-Thomas epic, Caribbean, is now making 31% more money than average pictures on the market. Those perennial big-grossers, Abbott & Costello, recently released Abbott & Costello Meet Captain Kidd. Last week Hollywood studios had released, were filming or planning more than 20 sea pictures, ranging from documentaries (e.g., Rachel Carson's The Sea Around Us) to history (e.-g., Nearer My God to Thee, a story of the Titanic). But most of them were just wet westerns-The Golden Hawk, City Beneath the Sea and Yankee Buccaneer...

Author: /time Magazine | Title: Cinema: Wet Westerns | 10/27/1952 | See Source »

...grandfather (Vice President under Grover Cleveland), said he thinks there is "too much flip-flop stuff going on up in Washington." ¶Four big names in he world of arts and letters announced in New York that they were switching from Eisenhower to Stevenson. The four: Producer-Playwright George Abbott, Author Edna Ferber, Librettist-Producer Oscar Hammerstein II, Producer Irene Selznick. Two big Southern newspapers announced their choice. The Atlanta Journal, the South's largest daily (which has never supported a Republican for President), came out for Stevenson. The Charlotte News, largest evening paper in the Carolinas (which supported...

Author: /time Magazine | Title: POLITICAL NOTES: Who's for Whom, Oct. 20, 1952 | 10/20/1952 | See Source »

With George Abbott to stage the show, no character very long remains stationary, no telephone silent, no door unentered; noises abound, gadgets accumulate, throngs assemble. But what is offered in the name of comedy is for the most part mere commotion...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Oct. 20, 1952 | 10/20/1952 | See Source »

Perhaps most inconsistent in the theatrical rewrite by Miss Smith and George Abbott is that the authors expanded and burlesqued the Cissy part, making a vehicle for Shirley Booth and now Miss Blondell, while they left the Nolens as poignant as before. This creates a jarring contrast; and since the music and choreography fit in with the lighter parts of the production, the Nolen scenes lie alone and disjointed...

Author: By Michael Maccoby, | Title: A Tree Grows in Brooklyn | 10/17/1952 | See Source »

...dimwitted Southerner by the name of Beansy--all of whom, with the aid of their respective Latin admirers, carry the ball of repartee for the better part of the show. With the material at hand, it is an Olympian task, and it is no wonder that Director George Abbott was forced to throw in a liberal sprinkling of decolletages and torch singing to keep the play moving. Bumps and grinds are all right in their place, but one can't help wondering, after Othello, Streetcar, and Saint Joan, whether Miss Hagen's talents do not lie in other directions...

Author: By Joseph P. Lorenz, | Title: In Any Language | 9/25/1952 | See Source »

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