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...three-day Festival of Music for the People. Main feature: a massive pageant depicting the story of "the people in their struggle forward out of subjection." In it danced, acted, sang and marched 500 pageanteers from London's Labor choirs, 100 folk dancers from the village of Abbott's Bromley, dancers from London's Communist Unity Theatre, Negro Baritone Paul Robeson, and 100 English veterans of the Spanish Loyalist army. Its music was composed by a bombing squad of British composers, headed by London's famed and respected 200-lb. Symphonist Ralph Vaughan Williams...

Author: /time Magazine | Title: Music: Bombster | 4/10/1939 | See Source »

...Berenice Abbott was one of the first U. S. photographers to conclude that the art of the camera consists in making visual records. This is a long-term point of view, involving the fact that photographs like Eugene Atget's of Paris become poignant to most people only gradually, as years pass and streets vanish. Berenice Abbott from Springfield, Ohio, learned photography in Paris in the darkroom of Stylist Man Ray. Returning to Manhattan in 1929, she was overwhelmed with a desire to document "the whole crazy city...

Author: /time Magazine | Title: Art: Abbott's New York | 4/10/1939 | See Source »

Private patrons put up a little money at first, but Photographer Abbott landed with the Federal Art Project in 1935. A direct girl who still talks harsh Ohio, still wears a Left Bank haircut and beret, she confesses to being scared of heights and crowds until she gets her head under the black cloth. Her dizziest shots are nevertheless sharp, hard and sense-making, though her best are meditative portraits of comely, plain old buildings, dingy shop fronts, chapfallen façades selected from the vast 19th-Century underbrush among Manhattan's skyscrapers...

Author: /time Magazine | Title: Art: Abbott's New York | 4/10/1939 | See Source »

...Brien Entertains (by Harry Madden; produced by George Abbott) but she is not very entertaining. Snooting the century-ago Irish immigrants who fill her house, and sneering at all foreigners who are non-Irish, she is finally read a lecture on Americanism and the melting pot, quickly mends her ways. The play is well-meaning, noisy, false: the Maggie and Jiggs set transferred from comic strip to stage...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Feb. 20, 1939 | 2/20/1939 | See Source »

...Great Man Votes (RKO Radio). Latest and youngest addition to the long roster of Hollywood "geniuses" is Director Garson Kanin, whose specialty is making silk purses out of sows' ears. A onetime Broadway actor and assistant to Broadway Producer George Abbott, Director Kanin started his cinema career as an odd-job man for Sam Goldwyn in 1937, when he was 24. Last year RKO somewhat skeptically allowed him to direct a B-picture called A Man to Remember, which was equipped with a no-star cast and budgeted for a mere $119,000. Kanin turned it into an excellent...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 23, 1939 | 1/23/1939 | See Source »

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