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...George Abbott...

Author: /time Magazine | Title: Theater: High Stepper | 3/21/1983 | See Source »

...considering the talents that went into the original, how could it be otherwise? Richard Rodgers and Lorenz Hart were at the peak of their collaboration; George Abbott directed; and George Balanchine did the choreography, most notably the 20-minute jazz ballet Slaughter on Tenth Avenue. Rodgers and Hart are gone, and Balanchine is ill. But Abbott, now 95, has returned to direct one of the liveliest revivals in years...

Author: /time Magazine | Title: Theater: High Stepper | 3/21/1983 | See Source »

...Abbott's new cast is, for the most part, excellent, and in one case it is inspired. The inspiration is Makarova, who turns out to be not only a great ballerina but a gifted comedian. As the tempestuous Vera Baronova, she is both sexy and sly, and her deli very of a line is droll and almost always unpredictable. It is hard to tell whether she is acting or merely enjoying herself, but in the end it scarcely matters. Her zest is infectious and leaps across the footlights. In other major parts, Christine Andreas is a touching, warm-voiced...

Author: /time Magazine | Title: Theater: High Stepper | 3/21/1983 | See Source »

...Abbott Lawrence Lowell (Class of 1877) decided during his presidency to raise a President's House on the Yard site where three of his 19th-century predecessors lived. In 1912, he commissioned his brother to design the building, and presented the $155,000 project as a gift to the University...

Author: By Mary C. Warner, | Title: Little House in the Big Yard | 3/17/1983 | See Source »

...identification figure. Enter Alan Alda, who was starring in films and TV movies without having hit it big and who was now ready for the right series. "In talking with Larry Gelbart and Gene Reynolds," Alda recalls, "I wanted to be sure that we weren't making an Abbott & Costello Go to Korea, using the war just as a straight line for the jokes. The war had to be a springboard for our best efforts, exploring the horror, not ignoring it." Everyone agreed that this would be, in Reynolds' words, "a different Hawkeye, more sensitive, compassionate and serious...

Author: /time Magazine | Title: Video: M*A*S*H, You Were a Smash | 2/28/1983 | See Source »

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