Word: abbotts
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Dates: during 1930-1939
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...Religious Toleration in England; Robert K. Lamb, The Economic Development of Fall River from 1813 to the Present Day; William L. Langer, The Social and Intellectual Aspects of European History, 1832-52; Robert K. Merton, The Inter-relation of Science, Technology and Society in 17th Century England; and Abbott P. Usher, The Early History of Banking...
Political Institutional Development: Wilbur C. Abbott, The Writings and Speeches of Oliver Cromwell; Paul R. Doolin, The Constitutional Conflict in France in the 17th and 18th Centuries; Donald C. McKay, A History of the Third French Republic, 1871-1914; Charles H. Taylor, Representative Practices in 13th Century France; and Benjamin F. Wright, Jr., Judicial Review of Legislation by the Supreme Court...
...Kenneth Galbraith, J. R. Walsh, John M. Cassels, Edgar M. Hoover '28, and Charles C. Abbott '28, instructors in Economics, are the men considering changes in Economics A. This committee meets today to draw up an outline which would give coherence to the entire course. This new outline will be constructed on the basis of what would be desirable for the course without regard for existing texts...
...Abbott McC. Washburn, Jr. '37, of Minneapolis, and a graduate of Andover; and Octavian M. Stirling, Jr. '38, of Fallston, Maryland, and a graduate of St. James School, to become Literary Associates; and Samuel N. Hinckley '39, of Cedarhurst, New York, and a graduate of Groton to become a member of the Business Board...
...Your Toes devotes its first act to kidding a Russian ballet. Ballet dancers' Broadway reputation for arrogance, jealousy and venery offers, like a clown's buttocks, a large and ludicrous target for whacking. Three modern masters of whacking, George Abbott (who staged this season's side-splitting Boy Meets Girl) and Rodgers & Hart (who supplied Jumbo's score) have done so with authority. The finale of On Your Toes' Act I, in which disaster strolls implacably through a conventional ballet, will make it impossible for many people ever again to take the serious Dance seriously...