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The controversial piece is characteristic of Lord’s style. Her oeuvre is polemical, iconoclastic, and highly visceral. The exhibitions she has curated, with titles like “Pervert,” “Trash,” and “Gender, fucked” appropriate...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

Indeed, Lord is an intellectual at heart and if anything, she seems slightly uncomfortable that her work has been controversial. Her most recent project is a survey text called “Art and Queer Culture: 1885-2005,” on which she collaborated with her colleague Richard Meyer...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

“We looked at each other and said, ‘Why don’t we do a queer show?’” Lord said. “We made a proposal and sent it off to the obvious museums—museums I...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

Meyer is more explicit about the controversial aspects of Lord’s work. “Even today,” he says, “most American art museums would shy away from a show focused on queer culture. Museum trustees and directors, especially behind closed doors, remain...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

Meyer and Lord have disagreed before. “We had a pretty extreme difference of opinion about Valerie Solanas,” he says. “I felt that Catherine was idealizing a woman whose writing was incredible but whose actions were indefensible,” he says...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

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