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That inability of art to inculcate in its audience understanding of something as physical as labor partly inspired the artistic abstraction of Lehyt’s work. Though he initially said he tended toward a more didactic account, he ultimately decided to produce works that gave viewers little or no...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

People are conspicuously absent from Lehyt’s pieces. The box clearly represents the product of Lehyt’s own man-hours, but it is not the human effort that is emphasized. The piece is not about the laborers; it is about the concept of labor itself. The...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

“Working”, on the other hand, is based entirely on the people performing labor. The agents of the work sing and dance and carry the plot; the people matter. Indeed, real people are the foundation for “Working.” Schwartz and Faso...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

“In the same way that our union is steeped in traditions of the American labor movement but also trying to update and innovate, I have a sense from talking to these students that they are trying to do the same thing,” Jaeger continued. ?...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

“The trick about collaboration is about finding things that are good for both parties,” Lamberth said.

Author: By Noah S. Rayman and Elyssa A. L. Spitzer, CRIMSON STAFF WRITERS | Title: Harvard and MIT Share Libraries | 4/6/2010 | See Source »

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