Word: abruptly
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Dates: during 1960-1969
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ISAAC BABEL: YOU MUST KNOW EVERYTHING, edited by Nathalie Babel. This collection of newly translated short stories, abrupt prose exercises and journalistic sketches by the brilliant Russian-Jewish writer purged by Stalin, demonstrates the individuality that was both Isaac Babel's genius and his death warrant...
...failure to fulfill his production quotas are touched on by Ilya Ehrenburg, Lev Nikulin, Georgy Mun-blit and Konstantin Paustovsky, writers and former friends of the author. Their reminiscences compose most of the generous appendix to You Must Know Everything, a collection of newly translated short stories, abrupt prose exercises and journalistic sketches gathered and annotated by Nathalie Babel, the author's daughter and dedicated literary guardian, who now lives...
...master at forcing an audience to change their sympathies. Fantastically aware of the possibilities of a frame, Rouch can totally confuse a complacent viewer by having an actress turn her body about thirty degrees and in so doing undermine her earlier sympathetic position. In "Gare du Nord" these abrupt shifts of sympathy are used to tell the story of trapped people. (Obviously, American romantics who think of Paris as a city of escape and freedom will find no support in this film.) We first see a wife arguing with her husband, both of them trapped within a tiny but status...
...evident that he had hardened opposition to his Safeguard ABM plan into the bargain. Said Senator James Pearson, a Kansas Republican and an ABM foe: "I disagree with the President. I don't think it's isolationism to oppose excessive military spending." Some Democratic Senators were more abrupt. Said Albert Gore of Tennessee: "It sounded like the old Nixon I used to know." But Nixon won support from Louisiana's Russell Long and Virginia's Harry Byrd Jr. Noted Byrd: "I think he said some things which needed to be said...
...bridge in fast 4/4 which leads back into the slow 4/4 with the vocalist coming back in. A few rounds later Hodder beings singing in the 6/8 tempo and the slower beat becomes an arena for long and reflective improvisational playing, completing the circle perfectly. Such fully realized, very abrupt changes, occur again and again in the Bead Game's music and serve to enhance the kinetics of the song by keeping the listener fresh and on his toes, and, surprisingly, also make wonderful musical sense...