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...read an abstract of the J.A.M.A. study on the Web, visit www.jama.com You can e-mail Christine at gorman@time.com

Author: /time Magazine | Title: Predicting Cancer | 5/17/1999 | See Source »

...perfect. In the fall of 1998, Klebold and Harris made a video for a class project--a video in which they dress in trench coats, carry guns and blow away jocks, a murderous fantasy stoking a murderous reality. For Klebold, the planning and prep may have taken on an abstract quality: something he and Harris talked about only to each other, something that fueled their relationship, something they would plan forever but that would never actually happen. Until it did happen...

Author: /time Magazine | Title: Eric Harris and Dylan Klebold: Portrait Of A Deadly Bond | 5/10/1999 | See Source »

...late 1950s, American museums--the Whitney itself being the lone exception--were less interested in fostering American artists than in acquiring, at warp speed, the cultural treasures of Europe. This applied to modernism as well as to the Renaissance, and it wouldn't change until the late '50s, when Abstract Expressionism began to be elevated into the Triumph of American Painting. Earlier 20th century American art took much longer to be appreciated by Americans (or anyone else). Names like John Marin, Marsden Hartley or Charles Demuth still mean nothing in Europe, and until quite recently the proposal that Stuart Davis...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

...Canyon. This would be faithfully preserved by photographers, like Ansel Adams at Yosemite. But 20th century painters from Dove and Hartley through Pollock conveyed them into more modern idioms, often with great power and poignancy. Landscape, in fact, was the matrix in which most of the impulses of American abstract art, except for its weaker strand of purist geometry, unfolded. In no other country except England and Australia was the relation between abstraction and landscape so strong, but in America it had a special persistence because of its Transcendentalist roots and overtones of mysticism...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

...earthiness of folk traditions, and she often errs on one side or the other. As a result, her poetry can sound stilted at times. "Light enters you through every pore/dissolves you into itself," she writes in "Our Lady of the Annunciation." The imagery is too grand and abstract to touch the reader on a visceral level and too removed from the dirty realities of desert life to sound authentic...

Author: By David Kornhaber, CONTRIBUTING WRITER | Title: More Than a Fad: Carmen's Cult of Saints | 5/7/1999 | See Source »

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