Word: abstract
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...blame for the students impatience and boredom? On the one hand, we cannot fault colleges for being committed to abstract learning. On the other hand, we cannot blame students for knowing that there is more to life than what is being taught in college classrooms. It is even harder to blame them if their parents, the college students of the 60s, managed to communicate these values to them. The particular boredom and family-oriented ambition of today's college students is a quieter and more relaxed version of 60s discontent with book-learning. It would be a mistake to interpret...
Topology is the abstract study of geometric spaces and their properties that are preserved under bending. An important algebraic tool in topology is the homotopy group, which is used to classify different types of holes in spaces and which are difficult to compute, according to Daniel K. Biss '98, a student whose topology senior thesis Bott is advising...
Dove was the first American, and possibly the first artist of any nationality, to paint a nonrepresentational picture. He did a set of five tiny Abstractions in 1910-11, perhaps a little before Kandinsky's first abstract compositions. Daringly radical for their time, today some of these look not so abstract after all: Abstraction No. 1 reads like a landscape, with sky at top, hills and what appears to be a tower pierced by a window. When Dove talked and wrote about abstraction, what did he mean? Not pure abstract form, certainly. Nature was of absolutely paramount importance...
...relationship between painting and photography, this year's studio theme, "The Body," emphasizes the contemporary art world's renewed interest in figuration since the late 1970s. This subject has clearly provided fodder for many of the works in the show, which range from earnest and literal to playful and abstract. Small paper mach'e sculptures by Jennifer E. Mergel '98 sprout lively appendages from their baseball or bagel-shaped body blobs. In one, two straining neuron-like beings wrestle or dance with the energetic whipping of their interconnected arms. Nearby, another languishes on its side, exhaling through some great orifice...
Across the lobby, a group of bricks on the floor shoot up tall waving poles crowned by ruby-red wax lips. Like Mergel's sculptures, "Bricks, Stalks, Lips" by Daniel O. Williams '98 toys with the distinction between the figurative and the abstract. Though economically constructed of the most mundane and inert parts, William's forest of rods refuse to be discussed in anything but the most animated and creaturely terms. Are they simply chatty bricks which grew tall necks for clandestine conversation above our heads? Or perhaps these poles sway precariously like some convention of bizarre supermodels--a mirage...