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Fogg Art Museum.. Through July 1995. "Shades of Significance: Tonal Values in Abstract Art." From its perceived origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: NO WRITER ATTRIBUTED | Title: at harvard | 4/27/1995 | See Source »

Fogg Art Museum. Through July. "Shades of Significance: Tonal Values in Abstract Art." From its perceived origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: NO WRITER ATTRIBUTED | Title: at harvard | 4/20/1995 | See Source »

...first-rate Western artists of our fading century are known and labeled. Not necessarily. Consider Ian Fairweather, a Scot by birth, who, after a long life in China, Bali and Australia, died in 1974 at age 83. Totally unknown in America and Europe, he was the best abstract painter-though "abstract" does no justice to the imagistic subtlety of his work-that Australia ever harbored, and one of the very few modern artists to make a convincing bridge between Eastern calligraphic traditions and Western drawing. He was also-suspect though the term has become in our time...

Author: /time Magazine | Title: PECULIAR BUT GRAND | 4/17/1995 | See Source »

Fogg Art Museum. Through July. "Shades of Significance: Tonal Values in Abstract Art." From its perceived origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: NO WRITER ATTRIBUTED | Title: at harvard | 4/6/1995 | See Source »

Through July. "Shades of Significance: Tonal Values in Abstract Art." From its perceived origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: By Kelly T. Yee, | Title: At Harvard | 3/9/1995 | See Source »

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