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Word: abstracted (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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...explosive quality of "The New American Painting," I find abstract expressionism rather dull. Relying on sensational color and muscular painting techniques does not make a painting exciting. The most honestly painted section of a De Kooning canvas is his signature, and Kline is just plain boring after you've seen your first three...

Author: /time Magazine | Title: Letters, Aug. 18, 1958 | 8/18/1958 | See Source »

...Birches; second ($750), Social Realist Semyon Shimin, 55, for his Discussion Groups-Rome, sketched in Rome during the 1956 elections but finished in Manhattan; and third ($250), Milton Goldring, 40, also a New Yorker, for his Shadow and Substance. The predominant tone of the festival is abstract expressionist, and imitative of the leaders of that movement...

Author: /time Magazine | Title: Art Town, 1958 | 8/18/1958 | See Source »

...exhibitions of U.S. abstract expressionist paintings on view at the Brussels World's Fair (TIME, June 16) and making the rounds of major European cities as "The New American Painting" show (TIME, Aug. 4), have aroused some ahs, some boos and a great deal of hullabaloo. Tourists, critics, even State Department officials have suggested that these works give a one-sided-and distorted-glance at the U.S. world of art. This week a new European show of American paintings is stressing another side-realism...

Author: /time Magazine | Title: Art: American Realism Abroad | 8/18/1958 | See Source »

Whether they splash haphazardly or brush minutely, abstract expressionists have one basic common bond: a conscious disregard for subject matter. Yet this week, at the generally abstract Signa Gallery in East Hampton, N.Y., a show of oils (and a few sculptures) by abstraction's top disciples is grouped under one unifying theme of content-"The Human Image...

Author: /time Magazine | Title: Art: Human Image in Abstraction | 8/11/1958 | See Source »

Jean Dubuffet, the only Ecole de Paris painter whose painting philosophy they felt matched their own. Their final choices ranged from Elaine de Kooning's near realistic portrait of husband Willem to the abstract Black Forms by East Hampton's John Little, in which a human form can be seen with some imagination...

Author: /time Magazine | Title: Art: Human Image in Abstraction | 8/11/1958 | See Source »

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