Word: abstracted
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Dates: during 1950-1959
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Picasso once brushed aside a criticism that his portrait of Gertrude Stein did not look like her by saying simply: "It will." In Manhattan, Vienna-trained Painter Rudolf Ray, 63, is trying to go Picasso one better. His aim: to arrive at the final "soulscape," the abstract essence of the sitter, by painting a series of eight portraits-one on top of the other. To the uninitiated the soulscapes may look like nothing more than shards of colored glass or a heavy calligraphic scrawl. But to Ray's followers, who include Hindu gurus, Taoist philosophers and Jung disciples...
...series Suzuki next turned into an angry black scrawl, faded into heavy yellow and black (Soul Fading), then dramatically changed into a thick impasto of blues, orange, black, with lines scratched out by Ray's palette knife. Believing that "the artist, like physicists, must use the abstract to get to the concrete," Ray's next two portraits of Suzuki were abstractions of opposing lines. No. 7 stopped most viewers in their tracks. It was a startling blank canvas, washed in with cloudy browns. But Taoist Lecturer Dr. C. Y. Chang, on hand for the opening, recognized it immediately...
...University of Nebraska Art Teacher Rudy Pozzatti, 30, for his big, bold, richly textured closeup of a grasshopper (see cut). The main strength of Pozzatti's woodcut lay in its patterning. The print had more to do with decoration than with nature, yet was one of the least abstract pictures on exhibition. A majority of the other prints were out-and-out-and-out abstractions, redeemed from cloudiness only by technical fireworks, and from preciosity only by an evident drive to experiment with new ideas and approaches. But through such college tries could come a renaissance of printmaking...
...poetry must be very quiet and smooth and like a dream vista so that the dancers do for the audience what the prose cannot. When there are only sixty people scattered close in front of a small stage, it is hard for the dancers to be either silent or abstract...
Died. Nicolas de Staël, 41, Russian-born French semi-abstract painter, who troweled slabs of paint on to canvas to create his famed, richly colored oils; in a leap from his third-floor apartment; in Antibes...