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Word: abstractedly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Hamburg. They said, "How is it like a bridge at Hamburg?" Hilbert answered, "Why it goes from this side to that side and the river goes under it." I feel that a great many of the perceptions about language that logicians develop are rather Hilbertian. Just a shade too abstract...

Author: By B. AMBLER Boucher and John PAUL Russo, S | Title: An Interview With I. A. Richards | 3/11/1969 | See Source »

Steve Flax's set had absolutely no relation to the plays except for a row of jail bars, and even an abstract set should consider the play. The backdrop of overlapping rectangles in a single plane didn't even work as a composition of forms. And Light Designer Udi Gupta shouldn't have left unlit spots on stage as well as shadowing actors' faces, sometimes preferring to light their legs...

Author: By Deborah R. Waroff, | Title: The Dollar Theatre | 3/8/1969 | See Source »

...bonfire, where visions of possible nymphs and improbable satyrs gyre in the obscuring smoke. But it delves profoundly into method, its seething forms eluding both definition and restriction. Exhibited at the Venice Biennale later in 1950, along with works by Jackson Pollock and Arshile Gorky, it helped to establish Abstract Expressionism as the major art of its time. And it may have marked the occasion when Manhattan displaced Paris as the art capital of the world...

Author: /time Magazine | Title: Art: DE KOONING'S MASTERWORK | 3/7/1969 | See Source »

...late 1940s, the Abstract Expressionists were admired by only a few hardy critics, loathed by rival painters, and ignored by virtually every museum and collector in the country. With his fellows, De Kooning hung out in grimy Greenwich Village cafeterias, endlessly debating the new esthetic and just as endlessly revising the canvases in his studio. De Kooning sought to capture on canvas the continuing essence of the creative act of painting itself. To do this, he jettisoned polished finish in favor of apparently raw brush strokes, which in reality were painstakingly executed and frequently reworked. On another level, he strove...

Author: /time Magazine | Title: Art: DE KOONING'S MASTERWORK | 3/7/1969 | See Source »

PRODUCER Jenny Tarlin said, "It's sort of like having a baby. You can see it and touch it. We're at Harvard at a time when all progress is in a very abstract sense; what you do in theatre is much more tangible. I like to stay close to earth...

Author: By Deborah R. Waroff, | Title: What Makes Techies Run | 3/7/1969 | See Source »

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