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Word: abstractedly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...1930s, social protest was second nature to the politically conscious artist. In the 1960s, instead of editorializing in melodramatic imagery, the artist is apt to employ the more oblique weapons of abstract parody and wit. His sentiments are no less angry on that account-as could be seen last week in Chicago. At the Feigen Gallery, 47 artists displayed acid valentines to Mayor Richard J. Daley, 21 of them composed especially for the show...

Author: /time Magazine | Title: Exhibitions: The Politics of Feeling | 11/1/1968 | See Source »

...keyed Sarnoff is a curious mixture of the modern and the conservative. The president's office in Manhattan's RCA building is adorned with abstract sculptures by Giacometti and De Rivera, and its occupant takes particular pride in the company's futuristic new logo, which is emblazoned in 24-ft.-high letters near the top of the 70-floor building. Yet Sarnoff seems to be playing the merger game, a favorite pastime of new-breed executives, with an eye more for posterity than for the present. He dismisses St. Regis' problems as the result...

Author: /time Magazine | Title: Corporations: The RCA Reach | 10/25/1968 | See Source »

Young, relatively unknown artists, distributed over an international spectrum, are spottily picked up by the Gallery. Among the nicest I saw were abstract Japanese prints by Hiroyaka Tajima and weird childish Colombian fanatasies by Silva...

Author: By Betsy Nadas, | Title: Roten Gallery | 10/21/1968 | See Source »

...book itself. Every word is weighted to produce the precise tension that each episode calls for. The effect is hypnotic but short-lived. For unlike The Painted Bird, this novel lacks the grounding situation, the structure and the connective tissue that could have made it more than a rather abstract expression of a pathological state of mind...

Author: /time Magazine | Title: Books: Bird of Prey | 10/18/1968 | See Source »

Intricate Jumble. Kline's early Greenwich Village scenes of the late 1930s and early 1940s were sturdily realistic. At the time, he was decorating the walls of the Bleecker Street Tavern with $5 murals, to make ends meet. His break into abstraction was sudden and dramatic. For years, he had been making increasingly simplified sketches; as an art student in London, he had also collected Japanese prints. One day in 1949, he was visiting a friend who had a Balopticon projector; they enlarged several Kline sketches on the wall. The blown-up image wrenched the drawings...

Author: /time Magazine | Title: Painting: Painstaking Slapdash | 10/11/1968 | See Source »

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