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...version, "Paul Klee: The Nature of Creation," was curated by a critic, Robert Kudielka, and a painter, the supremely intelligent and responsive Bridget Riley, the grande dame of English art. As Kudielka points out in his catalog introduction, Klee's work was not rooted in any movement. However abstract, it came out of the experience of nature and culture blended. Perhaps the decisive moment in Klee's early career was a 1914 visit that he and his friend August Macke paid to Tunisia, where the warm, sparse earth colors, the heat and the townscape of Hammamet, a desert construction...

Author: /time Magazine | Title: Art: Flyaway Fantasy | 3/18/2002 | See Source »

However, in spite of its accessibility, the work encourages further exploration and contemplation. The abstract nature of the work, while speaking to objective thoughts, also invites personal interpretation and valuation. Since the work does not explicitly portray any particular object, the pieces can become intimately connected to the viewer on a more fundamental level...

Author: By Karl A. Hinojosa, CONTRIBUTING WRITER | Title: Sculpting Humanity from Wood | 3/15/2002 | See Source »

...leading figures push God way back in evolutionary time. The philosopher and Baylor University professor William Dembski argues in mathematical language that natural selection, to create life as we know it, must have received some kind of external input. But he allows that this input could be something quite abstract, embedded in the early context of evolution--perhaps in "boundary conditions" that "constrain" genetic mutation...

Author: /time Magazine | Title: Darwinian Struggle | 3/11/2002 | See Source »

...early, abstract and arguably divine input is what you're after, plain old Darwinism leaves room for that. No one knows how DNA began to replicate or how the universe got built in such a way that replication was possible. It's not crazy to think that such initial conditions were set by some intelligence for an overarching purpose that is still unfolding. After all, look at the spiritually rich products of evolution so far: consciousness, love, the human conscience, morally consequential choice...

Author: /time Magazine | Title: Darwinian Struggle | 3/11/2002 | See Source »

...which, in Chinese, means both “fat” and “happiness,” derived from the Chinese proverb, “A fat man is a happy man.” In this series, he creates plump, slightly abstract figures in positions of vulnerability and intimacy, which give the viewer a comfortable sense of contentment and ease. One of these sculptures was modeled after his wife and baby son, an indescribably cute and smile-inducing image. His wife complained the sculpture portrayed...

Author: By Steven N. Jacobs, CONTRIBUTING WRITER | Title: Lu Pinchang: Sculpting a Life | 3/8/2002 | See Source »

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