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...time-honored fashion of ambitious young interns, Kanzi became involved in language experiments by catching the boss's eye. Savage-Rumbaugh noticed that the young ape was learning words she was struggling to teach his mother Matata. The language was a system of abstract visual symbols developed by Savage-Rumbaugh's husband Duane Rumbaugh during his first language experiments with chimpanzees. "If Kanzi could learn without instruction, I wondered, Why teach?" says Savage-Rumbaugh. From then on, Kanzi learned language much the way human children do: by going through the ordinary activities of his day while humans spoke in English...

Author: /time Magazine | Title: Can Animals Think? | 3/22/1993 | See Source »

...hearing the requests. Each sentence was also utterly new to both ape and child. The young bonobo has thus helped break a two-decade deadlock during which language experimentation with animals was paralyzed by concerns that the animals were responding to cues from their trainers rather than demonstrating true abstract abilities...

Author: /time Magazine | Title: Can Animals Think? | 3/22/1993 | See Source »

...stone-faced ushers, the bewildered accused in the dock. It took another 19th century genius, Dickens, to convey in fiction what Daumier gives in line and wash: the sense of the law, not as a means toward fairness or justice but as an enormous and self-feeding machine, abstract and inhuman, operating far beyond the lives it is supposed to regulate, masticating its diet of human hope...

Author: /time Magazine | Title: Art: Daumier: Vitality's Signature | 3/8/1993 | See Source »

Rothenberg did her first horse, a pallid and watery sketch, in 1973, and it is hard nowadays to remember what an unyielding prejudice against any kind of hand-painted figuration existed in New York 20 years ago. Abstract art -- in particular its last whole-cloth style, Minimalism -- had done away with all that. It had also shaped artists' expectations about format: split and abutted canvases, "primary" X shapes, the whole pictorial rhetoric of the canvas as object...

Author: /time Magazine | Title: Art: Signs of Anxiety | 3/1/1993 | See Source »

Literally "tearing it apart." Rothenberg's paintings over the next few years were all about dismemberment, blockage and fright. She is one of the younger artists who took heart from Philip Guston: in the early '70s, Guston, an abstract painter for years, had returned to the figure with a controversial set of seriocomic paintings of Ku Klux Klansmen, which laid the ground for his formidable "late" style and often featured stray boots, feet and arms...

Author: /time Magazine | Title: Art: Signs of Anxiety | 3/1/1993 | See Source »

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