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Benton's own abstract paintings may not have been quite up to the level of Macdonald-Wright's, though it is difficult to judge them fairly, since he destroyed so much of his early work "to get all that modernist dirt out of my system." But it was abstraction that underwrote the system of Benton's later figurative paintings -- an abstraction based on bulging, serpentine figures derived from Michelangelo. From him, and from mannerist sources like Luca Cambiaso's block figures and El Greco's twisty saints, Benton assembled the theory of kinetic composition that would eventually alter the walls...

Author: /time Magazine | Title: Art: Tarted Up Till the Eye Cries Uncle | 5/1/1989 | See Source »

...abstract, making money through unethical actions is reprehensible to a liberal's conscience. When posed as a hypothetical choice--principles or money--the decision is easy. But in reality, $15 per hour weighs heavily against abstract principles...

Author: By John L. Larew, | Title: Confessions of a Liberal Slime | 4/20/1989 | See Source »

Each day a long queue of the curious would form. Inside the packed gallery, people would argue and gesticulate in front of abstract paintings -- a red square on a white ground, a fragmented cubist portrait -- done a generation before their birth...

Author: /time Magazine | Title: Art: Canvases of Their Own | 4/10/1989 | See Source »

...unending stream of statues of Lenin (with benign and resolute features that grow more Asiatic the further east they go) for public places from Minsk to Irkutsk. Many an unofficial artist finds himself in the predicament of Nikolai Filatov, whose large canvases -- a fervent compost of '50s-style abstract expressionism and broken-up cubofuturist planes -- are beginning to sell in the West, so he has hard currency but nowhere to paint. To get studio space in Moscow on an official basis, you must belong to the Artists Union and do "real" aesthetic work. Some of the best-known figures...

Author: /time Magazine | Title: Art: Canvases of Their Own | 4/10/1989 | See Source »

...general mobilization of the French army, painted in Paris -- seems, with its antique gun limber and biplane wings, almost as nostalgic an image as a battle piece by Paolo Uccello. But others have not dated. In particular, the spiking and whorling of translucent mechanical forms in Balla's Abstract Speed, 1913, can be seen as one of the great pictorial images of our century, as fresh in impact as the day it was painted...

Author: /time Magazine | Title: Art: Raw Talk, but Cooked Painting | 4/3/1989 | See Source »

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