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Dalton is an adherent of Critical Legal Studies (CLS), a radical school of legal thought which holds that the law is not based on abstract notions of justice, but rather upholds contemporary social and economic conditions...

Author: By Emily M. Bernstein, | Title: Bok Rejects Dalton Tenure Appeal | 3/11/1988 | See Source »

...Carmen and a 9 1/2-hour adaptation of the Hindu epic The Mahabharata. He is probably best remembered for his 1970 A Midsummer Night's Dream, which uncovered weighty conflicts of the sexes and social classes in what had been seen as amiably airy farce. That production, gymnastic and visually abstract, signaled a revolutionary intent from the first glance. This time Brook's method is less obtrusive: though there are no sets to speak of, the costumes are in period and the air is abuzz with patronymics. Still, once again he has revisionism in mind...

Author: /time Magazine | Title: Theater: Samovars Without Stereotypes THE CHERRY ORCHARD | 2/8/1988 | See Source »

...still talking about things very much in the abstract," said member Adam F. Falk, a first-year physics student in GSAS who is one of two graduate student members. "But it's hard to know what kind of effect that will have on cases...

Author: NO WRITER ATTRIBUTED | Title: First Judicial Board Meeting | 2/3/1988 | See Source »

...That's the wole story, were not the mystery rekindled by the limited edition Ta Chien print on the wall. It is a landscape, viewed through a peculiar window a foot high and perhaps ten feet long. There are sea, land and river mouths, but the whole is rendered abstract and emotionally disturbed by the odd shape and the subtle colors. It is a plain and impenetrable as Dylan's "Sad-Eyed Lady of the Lowlands," despite helpful paper signs by the staff labeling various blotches as particular rivers...

Author: By Robert Nadeau, | Title: The Painted Dish | 1/22/1988 | See Source »

...That's the wole story, were not the mystery rekindled by the limited edition Ta Chien print on the wall. It is a landscape, viewed through a peculiar window a foot high and perhaps ten feet long. There are sea, land and river mouths, but the whole is rendered abstract and emotionally disturbed by the odd shape and the subtle colors. It is a plain and impenetrable as Dylan's "Sad-Eyed Lady of the Lowlands," despite helpful paper signs by the staff labeling various blotches as particular rivers...

Author: By Robert Nadeau, | Title: The Painted Dish | 1/15/1988 | See Source »

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