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...John Steuart Curry, Jack Levine and the like, bought with Hearn's money in the '20s and '30s, that ought to be a footnote to the American Wing; dense with fair-to-splendid examples of early American modernists (Georgia O'Keeffe, Marsden Hartley, Arthur Dove and others) and later abstract expressionists, but far too light on German expressionism, Dada and constructivism. Lieberman and his associate curator, Lowery Sims, have done a brilliant job with what they have, installing the paintings and sculptures so as to evoke unexpected similarities, rhymes, comparisons, rather than the stolid march of historical sequence. Theirs...

Author: /time Magazine | Title: Art: Another Temple For Modernism The Met's 20th century wing | 2/2/1987 | See Source »

True, most Americans seem to believe that life in this country is better than in the Soviet Union because we live under a constitutional, democratic government. But how often does this distinction emerge from the abstract to become a part of daily life? How many Americans ever really test the Constitution by making controversial statements or protesting the status quo? How many exercise freedom of expression by saying or doing things that might be restricted under a different form of government...

Author: By Charles E. Cohen, | Title: Back to the U.S.S.R. | 1/21/1987 | See Source »

...genesis and development of abstract art," argues the show's curator, Maurice Tuchman, in an enormous catalog comprising essays by him and 19 other contributors, ". . . reflects a desire to express spiritual, utopian or metaphysical ideals that cannot be expressed in traditional pictorial terms." One typical preoccupation was with the idea that the universe, instead of being the vast agglomeration of distinct things perceived by science or realism, was a single, living entity, pervaded by "cosmic" energies; these revealed themselves in "vibrations," the formative agents of all material shapes. Hence the desire to paint archetypal forms, so that Mondrian's rectangles...

Author: /time Magazine | Title: Art: Pyramid | 1/12/1987 | See Source »

...leave out that durable old alchemist, Marcel Duchamp. It also features several vitrines of early mystical, cosmological and alchemical texts known to have been studied by modern artists, some of whose illustrations are of astonishing beauty and suggestiveness. But its main focus, inevitably, is on the inventors of abstract art: Kandinsky, Mondrian, Kupka, Kazimir Malevich -- all represented by remarkable works. One would have to go a long way before finding a more intriguing Kandinsky, for instance, than his Lady in Moscow, 1912, with its gray "health aura" and its sinister coffin-shaped black mass that, floating across the street, menaces...

Author: /time Magazine | Title: Art: Pyramid | 1/12/1987 | See Source »

When Artists Valeri and Lidya Klever left Leningrad for the U.S. ten years ago, they left in anger. Soviet authorities had shut down exhibits of the couple's abstract paintings, which convinced the Klevers that they had to head for the West in search of artistic freedom. Last week the Klevers returned to the Soviet Union, sounding angrier than ever. While Valeri had at last been free to create, he had also managed to sell few works. That forced his wife to take menial jobs during an odyssey that led the Klevers from New York City to Maine to California...

Author: /time Magazine | Title: Soviet Union The Long Hard Road to Moscow | 1/12/1987 | See Source »

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