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...Guantanamo Bay has been a U.S. possession since 1899. One of the best harbors in the Caribbean came under the Stars and Stripes after the Spanish-American War. As far as I've been able to find out, the treaty concerning the port is bilateral in only the most abstract sense. One version I've heard is that it's a treaty "in perpetuity," or until both sides shall agree to a fundamental change. Castro says he wants the Navy to leave, and it's not going. The United States has interpreted the treaty to mean we can stay...

Author: By Paul W. Green, | Title: Maintaining a Unique Balance | 10/5/1985 | See Source »

...asked if he thought the form of the editorial was abstract enough to prevent any confusion, Kenney said. "It's quite likely there are such memos... You should be out looking for them rather than talking with sedate editorial writers...

Author: By Joseph F Kahn, | Title: University Asks Globe To Clarify Editorial | 8/9/1985 | See Source »

...MANY ARTISTS, the photograph is not merely an instrument to capture an instant of life which they have uncovered. The image on film can be as abstract as a stray brush stroke on canvas. Many of the photographers have hidden their pictures, unfocused or brushed over them, to obscure the subject and highlight the shapes. The photographs have become, for better or worse...

Author: By Daniel B. Wroblewski, | Title: Picture Perfect | 7/9/1985 | See Source »

Carl Chiarenza shot torn film wrappers to create what one curator described as the only "pure abstract" work of the exhibit. Gary Duehr's Meridian series contains photographs taken intentionally unfocused and the images within them are unrecognizable...

Author: By Daniel B. Wroblewski, | Title: Picture Perfect | 7/9/1985 | See Source »

Marden's work reminds one how silly was the death-of-abstract-art talk heard so much at the start of the '80s, as foolish as the death-of-painting cant in the '70s. Much of the work of younger American artists remains abstract, whether "decorative" (Alan Shields, Valerie Jaudon or the exuberant Judy Pfaff, whose manic, space-consuming constructions are hybrids of painting and sculpture) or more ostensibly rigorous in its aims, like that of Gary Stephan, 42. His paintings are like massive and vivid reflections on late cubism, especially the utopian "cubifying" abstraction of the 1920s, as practiced...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

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