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...confounding part of the notion of social sin. Sin, unlike crime or folly, is a spiritual notion: for Muslim or Jew or Christian, sin is the saboteur that keeps us from grace, separates us from God. The new list is about what separates us from one another; it makes abstract the failings that once were intimate and in the process may make sin smaller, not bigger or more relevant. Private faith already speaks to public duty, as Mohandas Gandhi suggested with his version of the seven deadly sins: "Wealth without work, pleasure without conscience, science without humanity, knowledge without character...

Author: /time Magazine | Title: The New Road to Hell | 3/13/2008 | See Source »

...scenes of suburbia at its most prosaic, or of San Francisco streets at their most matter-of-fact and unpicturesque. It's customary now to compare him with Edward Hopper. Like Hopper, Bechtle has a gift for finding the melancholy note in sunlight itself, as well as for the abstract underpinnings of the world. In Six Houses on Mound Street, 2006, with its stark cubes and fretwork of painted crosswalks, the workaday scene seems to be held in place by the guy-wires of some enigmatic order...

Author: /time Magazine | Title: The Simple Life | 3/13/2008 | See Source »

...three female choreographers, merged classical East Indian music with that of Western composers for her score. The merger directed the movement. Dancers displayed quick, sharp footwork, but then surprised with slower, sensuous pair interactions. The piece culminated in a kinetic explosion. Set against the backdrop of an abstract expressionist painting, the corps and the principal dancers responded almost instinctively to musical cues. They splattered and dripped with the flick of Pickett’s brush...

Author: By Ama R. Francis, CONTRIBUTING WRITER | Title: Ballet Evolves in 'New' Show | 3/12/2008 | See Source »

...maybe a protective tarp or two. But both students and Harvard staff agree that their neglect is due less to student apathy than to a dearth of readily available information about these works.Tucked away near the sunken entrance to Pusey Library lies an Alexander Calder stabile, an abstract wrought-iron construction entitled “Onion” and completed in 1965. In another quiet corner of the Yard sits Henry Moore’s harmonious 1972 sculpture “Four Piece Reclining Figure.” This statue is especially inconspicuous during the winter months, when it usually...

Author: By Andres A. Arguello and Lee ann W. Custer, CRIMSON STAFF WRITERSS | Title: Covering the Yard's Art | 3/7/2008 | See Source »

...know. This isn’t a history of the Central Intelligence Agency—most of the figures interviewed only discuss the post-9/11 political climate—but doesn’t lack a narrative backbone. The filmmakers gracefully walk a fine line between exploring the abstract elements of secrecy and the real consequences of disclosing secrets. As one interviewee tells us, after the Islamic Jihad Organization (IJO) bombed the U.S. Embassy in Beirut in 1983, details of the National Security Agency’s efforts to track the IJO were leaked to the press...

Author: By Kyle L. K. Mcauley, CRIMSON STAFF WRITER | Title: Secrecy | 3/7/2008 | See Source »

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