Word: abstraction
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Dates: during 2000-2009
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...Although the 16-to-27-year-old women have grown up in an isolated environment where the -isms of Western art were largely unknown or unaccepted, their work bears traces of impressionism, abstract geometry, abstract expressionism and even surrealism. Yet "the paintings retain their uniqueness through the freedom of choice of their creators, who learned different styles of painting and developed them," says Hamid Naweed, an art professor at Kabul University. "So the individual, original idea remains...
...think that the ideological battles of the '60s have continued to shape our politics for too long," Obama told TIME. "The average baby boomer, I think, has long gotten past some of these abstract arguments about Are you left? Are you right? Are you Big Government? Small government? You know, people are very practical. What they are interested in is, Can you deliver schools that work...
...think that the ideological battles of the '60s have continued to shape our politics for too long. They haven't shaped the lives of the American people. The average baby boomer, I think, has long gotten past some of these abstract arguments about are you left, are you right, are you big government, small government. You know, people are very practical. What they are interested in is: Can you deliver schools that work? I'm working really hard, can I get some health care that I can count on? Do we have a foreign policy that deals with our enemies...
...camps within the Anglican church. But Williams' previous writings on the subject have been few and couched in theologisms. This is how he tackled the issue in his essay The Body's Grace in 1989: "The absolute condemnation of same-sex relations of intimacy must rely either on an abstract fundamentalist deployment of a number of very ambiguous texts, or on a problematic and non-scriptural theory about natural complementarity, applied narrowly and crudely to physical differentiation without regard to psychological structures...
...graphic care expended on them: his solicitude makes them vibrant, his consciousness becomes theirs. Miro claimed that his landscapes ''have nothing whatever to do with outer reality. Nevertheless they are more Montroig than if they had been painted from nature.'' His work was to have an immense influence on abstract painting -- What would American artists in the '40s, from Arshile Gorky onward, have done without him? -- and yet it never lost its sense of wonder at the world or ceased to anchor itself in sharp little signs and pictographs denoting the specific. Its utter conviction is furthered by Miro...