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Word: abstraction (lookup in dictionary) (lookup stats)
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...While he is often described as a thinker, he's not one to dwell on the abstract. He's more of an analyst and problem solver: as Americans say, a policy wonk. Still, several themes have endured. First, there's enormous self-belief; Latham "backs himself" and would like others to aspire to better things. Second, he believes in Labor - not just as a political party, but as a movement - "a movement that needs to energize its base and create new causes and constituencies," as he wrote in From the Suburbs. These two streams come together in his desire...

Author: /time Magazine | Title: Latham's Ladder | 9/29/2004 | See Source »

...empretzeled himself on Iraq--to the outrageous: Zell Miller's assertion that Kerry would take his orders from Paris. The Miller speech was the ugliest I've ever seen at a convention. It certainly trumped Pat Buchanan's 1992 "culture war" speech, in which the target was an abstract army of social liberals. This was a direct assault on the character and integrity of the Democratic nominee. And it followed a familiar G.O.P. attack pattern: like the Swift Boat Veterans for Truth, Miller wasn't an official part of the Bush campaign. He claims to be a Democrat...

Author: /time Magazine | Title: Tearing Kerry Down | 9/13/2004 | See Source »

...years, he uses the strips to temper, if not actually resolve, his stress. While the early ones recount the agonizing moments of day - hearing the roar of the impact, retrieving his daughter from her nearby middle school, watching as the second tower collapses - the later strips are more abstract. Spiegelman laments what he sees as the co-opting of September 11 to justify further polarizing acts of war. "Why did those provincial American flags have to sprout out of the embers of Ground Zero? Why not a globe," asks the author. Unlike much 9/11-related art, including many comix (see carets...

Author: /time Magazine | Title: Disaster Is My Muse | 9/3/2004 | See Source »

...cheapo, underpowered personal computers of the day to create depth, to render three-dimensional spacea miniature theater, a virtual dreamworld in which the player could move around at will. "You could have fun with those old games, but it was more of a detached, abstract sort of fun," Carmack says. "But when you take the exact same game play, put it in the first-person perspective, and you go around a corner, open up a door, and there's a monster, like, full-screen, right there, you saw people just go aggggghhh and jump back. That's something you never...

Author: /time Magazine | Title: Video Games: The Age of Doom | 8/9/2004 | See Source »

DIED. VIOLA FREY, 70, artist whose colorful, larger-than-life clay sculptures of men and women pushed the boundaries of the refined ceramic medium of the 1950s and '60s; of colon cancer; in Oakland, Calif. Her 9-ft.-high, robust, cartoonish figures--a fusion of Abstract Expressionism, Pop Art and what was later known as California Funk--were comical but politically pointed: a 2002 work, Man Kicking World, shows a seated man pushing a massive globe with his foot...

Author: /time Magazine | Title: Milestones Aug. 9, 2004 | 8/9/2004 | See Source »

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