Word: abstractions
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Dates: during 1970-1979
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...over his Iranian observation was the latest in a series of mishaps that have troubled the start of his campaign. He entered the race earlier than he had planned, with his organization in disarray, but under the glare of constant publicity. From the start he had trouble dealing with abstract questions such as his idea of how to assert leadership. He explains: "There is a problem moving from the day-to-day life of a Senator, where you are involved in the details of legislation, to a campaign, where the expression of issues is quite different." On one occasion...
...Senator Kennedy [Nov. 5] is elected President, Americans will not see a resurrected Camelot. Indeed, we might witness Hamlet's Elsinore-a realm preoccupied with the unrealized and abstract legacies of ghosts...
...reputation as the Coriolanus of American art. No other living artist has so vociferously loathed the art world as a system. None has managed to keep a closer control over the fate of his work. Since the 1940s, when he emerged as one of the founding fathers of abstract expressionism, Still has jealously guarded his output, releasing few paintings to collectors, rarely showing in private galleries, insisting on conditions of display that few museums were prepared to meet. Consequently, his farm outside Westminster, Md., houses most of his immense oeuvre; and though he is almost 75, his work...
...subjugation." The Met's catalogue is stuffed with this kind of rant and salted with fulminations against the demons of the "corrupt" art world that make the Ayatullah's views on the Shah seem, by comparison, mere tickling. Nevertheless, Still's notes on the history of abstract expressionism, which sharply contradict some idées reçues of the official version, are largely borne out by the evidence of his paintings. We see, for instance, how Barnett Newman's much praised early work, with its vertical "zip" down the canvas, was no more than...
...gestures, meanings...not through a study of my family tree." To a great extent he succeeded. Virtually no modernist paintings done before 1945 look like his work, and even the influence of surrealism, a vital catalyst for Pollock and Rothko, is less apparent in Still than anywhere else in abstract expressionism. Instead of going by fits and starts, testing and absorbing other art, Still's career gives the impression of monolithic solidity: he found his style early and stuck to it for more than 30 years. No other artist living today could seem, or be, more self-sufficient...