Word: abstractions
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Dates: during 1970-1979
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...have long, honorable careers but are continually ignored. They are swamped by their colleagues' bow waves. Giorgio Cavallon's career has been of this submerged kind. He is now 73, having been born near Vicenza in northern Italy in 1904, and he was one of the first abstract painters in New York in the 1930s, when painting abstract seemed automatically to consign an artist to ridicule and obscurity. In the '60s some of Cavallon's contemporaries, such as Milton Resnick or Lee Krasner, long written down as minor or fringe figures in the aesthetic star system...
...good company," gloated Abstract Expressionist Robert Motherwell. As the latest artist to create a wine label for the renowned French vintner Baron Philippe de Rothschild, 75, Motherwell joined the ranks of Picasso, Chagall, Miro and Braque. Titled Les Caves (the wine cellars), his design is a "primordial image," he explained as he signed and numbered the labels on a dozen bottles of 1974 Chateau Mouton Rothschild in Manhattan. "Chagall and Braque did joyful symbols, but I have a much deeper feeling about wine," said Motherwell, who received 16 cases of Mouton (approximate value: $5,000) for his labors...
...ability to turn abstract ideas into moving statements was demonstrated in a carefully planned and executed production. The elements of lighting, movement, facial expression, and occasionally, sound effects, were skillfully integrated to produce the proper mood...
...ultimate test of the cast's ability and the audience's acceptance came in "Pavane", a sketch whose ideas and execution were totally abstract. Accompanied by a Faure theme, the actors represented the idea of birdlike flight using gently floating hands, joined arms and bodies, and bodies moving separately in graceful dance. The placid beauty of the scene was disrupted by the entrance of humanity as a hunter. She killed the birds, and then realized, too late, what she had destroyed. But much to the hunter's astonishment, the fliers are resurrected in spirit. the show ends, as the sketch...
...authentic engagement on the issues, to talk about who can say what as if it weren't ultimately a question of Power--of whether my guys can make your guys do what I want. The confrontation between HRBSA and the "Lampoon" is not only, is hardly at all, an abstract contention over Constitutional Prerogatives...