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Author Iris Murdoch's devoted readers have learned, after 21 novels, to expect abstract, philosophic patterns beneath the beguiling surface of her fiction. The Good Apprentice, No. 22, seems designed to shake admirers out of such complacency. Murdoch includes most of her by now familiar clues to deeper meanings: constant references to God, lesser deities, the devil, good, evil, myths, legends, magic, and the power of elemental forces like water to nurture and destroy. But this time out, such allusions do not point toward an order underlying reality. They mirror instead a dazzling chaos of Murdoch's invention...

Author: /time Magazine | Title: Mirror of Dazzling Chaos THE GOOD APPRENTICE | 6/21/2005 | See Source »

...major TIME story rarely works in the field, relying instead on the magazine's network of correspondents and reporter-researchers. For this week's story on People Express and the deregulated airline industry, however, Associate Editor Charles Alexander decided to do things differently. "I usually write about abstract things like economic policy," he says. "My previous cover story was on the budget deficit, and I got buried under statistical reports. This one was a change of pace, a consumer-oriented subject. It made sense to take a firsthand look...

Author: /time Magazine | Title: A Letter from the Publisher: Jan. 13, 1986 | 6/21/2005 | See Source »

...Theater Hume Cronyn and Jessica Tandy excel as an old married couple in The Petition. Vienna: Lusthaus is a lyrical, abstract dream...

Author: /time Magazine | Title: Table of Contents, May 5 1986 | 6/21/2005 | See Source »

...delight the many devotees of Botero's work, but it's certain to leave other art lovers nonplussed. Some critics regard his work as predictable and shallow - "popular" in the worst sense of the word. Botero admits that people relate more readily to his style than to more abstract or conceptual works, but is proud of that fact. "It communicates very easily with people," he says. So is Botero a great artist, or just a very, very successful one? Botero's corpulent characters - comical but keenly observed renderings of rotund ballerinas, families and Latin American small-town types like...

Author: /time Magazine | Title: Nice Round Figures | 6/12/2005 | See Source »

...second day at Harvard, we woke up to what most of us had only known as an abstract concept. In the morning hours of Sept. 11, terrorism became real. As we graduate this week, we are faced with a similarly silent threat. If unchecked, our destruction of our climate will deeply and intimately affect all of our lives. Yet many of us think of this menace in the same detached way we used to think of terrorism...

Author: By Nicholas F. Josefowitz, | Title: The Real Hot War | 6/8/2005 | See Source »

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