Word: absurdist
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Dates: during 2000-2009
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Despite the cheerful and celebratory connotations of its title, Harold Pinter’s “The Birthday Party” is existentialist, absurdist, and dark. The latest performance put on by the Harvard-Radcliffe Dramatic Club inspires moments of snort-inducing hilarity even as it elicits gasps. Directed by Matthew C. Stone ’11, the play skillfully explores the notion of identity, a crucial focal point in existentialist theater, while provoking a wide range of emotions from the audience.“The Birthday Party”, written in 1958, is one of Pinter?...
...entirely coherent plotline, “The Birthday Party” relies on evoking emotion, rather than enjoyment, from the audience. Even the set design is minimalist. The stage features only walls on wheels, which move increasingly closer to each other as the play progresses. As with most absurdist dramas, “The Birthday Party” eschews a set in order to maintain focus on the dialogue between actors, thus relying on the cast’s abilities. “We are so lucky to have an incredibly talented cast who is totally capable of handling...
...from the infamous Imperial forces in Nanking—and the world at large wishes to forget. Carax makes another interesting choice in depicting the trial, itself an invocation of post-war war crimes tribunals, in multi-paneled shots that scrutinize every angle of the scene. A mixture of absurdist fairytale and historical criticism, “Merde,” the second film in “Tokyo!” is by far the most visually and substantively rich.This might be what makes Bong’s “Shaking Tokyo” seem like such...
...capable team of actors and designers headed by director Marcus Stern. The phenomenal acting, skillful directing, and stunning creative vision of the play—which runs through March 15 at the Loeb Drama Center—produce a near-perfect experience of Beckett’s absurdist drama about nothing and everything. Will LeBow is Hamm, the blind leader of his twisted little family, which includes his servant Clov (Thomas Derrah) and immobile parents, Nagg (Remo Airaldi) and Nell (Karen MacDonald), who live in ashbins. Unable to move from his wheelchair, Hamm is at once in command of this...
...Cramps' biggest album was 1980's Songs the Lord Taught Us, which, despite its underground popularity, proved that the Lord hadn't taught them much at all. But what the band lacked in musical skill it made up for with absurdist humor and attitude. Most of that emanated from gender-bent front man Lux Interior, who died on Feb. 4 in Glendale, Calif...