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Word: absurdist (lookup in dictionary) (lookup stats)
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Although I may not have made it clear enough in my review, I did catch on to the intended point of most of these shorts: to poke a little absurdist fun at sexual taboos. But my point was that even as satire some of these films, although harmless, do get pretty offensive [in the same way I think spoofs in the National Lampoon, and films like Network go too far]. And it was precisely because I assumed that the need to debunk sexist attitudes, although unfortunately not "universally understood," is at least recognized by many filmgoers in Cambridge, that...

Author: NO WRITER ATTRIBUTED | Title: Flick Flack | 4/15/1977 | See Source »

DUCK VARIATIONS and SEXUAL PERVERSITY IN CHICAGO. This double bill of one-acters by a fresh young playwright, David Mamet, 28, bubbles with absurdist humor and shows how people use word masks to shield their true feelings...

Author: /time Magazine | Title: The Theater: The Year's Ten Best | 1/3/1977 | See Source »

...teacher is an old pro, Eddie Waters (Milo O'Shea), whose last laugh seems to have sunk long ago in the still pond of his face. As his students sprint through their routines - ethnic, absurdist one-liners, god-awful - Eddie offers his philosophy of comedy: "A true joke has to do more than release tension, it has to liberate the will and the desire, it has to change the situation...

Author: /time Magazine | Title: COMEDIANS: Howls | 12/13/1976 | See Source »

...scene is a poor, bedraggled Dublin district during the doomed 1916 Easter Week Rebellion. O'Casey had no illusions about that sadly absurdist affray. Commandant Jack Clitheroe (Clive Geraghty) of the Irish Citizen Army is a crackbrained patriot who is willing to die for his country but not to live for it. The Dublin tenement dwellers are represented as drunken, excitable souls, passionately unified by a nationalistic cause...

Author: /time Magazine | Title: The Theater: Dubliners Undaunted | 12/6/1976 | See Source »

...idled away his life as a compulsive gambler and is now a gigolo in a nightclub. The woman he lives with is the club hustler (Suzanne Lederer). The conversational pas de trois that these three engage in is replete with bitterness and non-sequitur absurdist humor. The performers are also forced to carry an elephantine load of symbolism...

Author: /time Magazine | Title: The Theater: Nothingness Is All | 10/11/1976 | See Source »

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