Word: absurdities
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Dates: during 1920-1929
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...report in which Grundy lobbying was vigorously flayed. Mr. Grundy was accused of being a campaign "revenue raiser." He was called a "hereditary lobbyist" because his father before him had worked for the McKinley tariff bill. Mr. Grundy's retort about "backward commonwealths" was swept aside as "obviously absurd...
...bicycle and a bishop, both nude, but appearing in total darkness. His wife Sena (Phoebe Foster) is painting a geometrical portrait of Percival Redingote (Alan Mowbray) who, in turn, is about to carve a bust of Sena. Because Miss Foster is a brittle beauty, Mr. Morgan an absurd farceur, and Jo Mielziner, who designed the scenery, knows how to burlesque the futuristic trend, this satire on ultra-modern estheticism by Novelist Ernest Pascal (The Marriage Bed) has its memorable moments. What the quaint older generation would have called a love affair occurs to Sena and Percival. To them...
...this sort is the admirable one brought up in the article above referred to to the effect that men are likely to look with favor upon food, the eating of which is optional and scorn that which they are in any sense forced to eat. It may be absurd, but it is undeniably true as the case of Emmanuel College concretely shows...
...discussion because Hero Jonny is supposed to be a black-face comedian. The Metropolitan authorities worried about letting Basso Michael Bohnen wear full, realistic black-face makeup, thought perhaps his neck should show white to reassure prejudiced observers. At the dress rehearsal the neck was white. It looked so absurd that at the performance it was blackened like the face...
Laymen's fingers are still pointed. People still ask to be told the sense of what they like to call Modigliani's "daubs." And they have been answered variously. Recently an absurd attempt was made to apply the yardstick to Modigliani, to prove that he did not distort human anatomy.* Others admit the distortion but defend it by saying that the Egyptians distorted, as did El Greco, the Italian primitives. The merits of Modigliani, they add, are many: his color is finely schematic; his line is sensitive and delineates the sitter's character with wit and insight...