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Word: accents (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...spokesman in the Princeton ticket office said yesterday, however, that only 5000 end zone seats are left. "I can probably take care of you," she added, in a slightly southern accent...

Author: NO WRITER ATTRIBUTED | Title: Harvard Ticket Office Sells Out Tigers Game | 11/7/1968 | See Source »

DIETRICH FISCHER-DIESKAU: PORTRAIT OF THE ARTIST (Angel). This collection of lieder, arias and assorted other snippets gives a fair indication of Fischer-Dieskau's tal ent. He is a meticulous singer who never sloughs off a nuance or fuzzes an accent. Though his baritone is aptly described as dry rather than warm, he has range and power to spare. Lieder are his forte, but this disk demonstrates a thoroughgoing comprehension of opera as well...

Author: /time Magazine | Title: Television: Nov. 1, 1968 | 11/1/1968 | See Source »

Later O'Connor, speaking with a soft Southern accent, requested students to use the peace sign for opposition to the war in general, but to display a clenched fist when referring to the draft, because "it is the sign of Resistance." "I love you all," he said to the crowd, as tears ran down his face...

Author: NO WRITER ATTRIBUTED | Title: AWOL Soldier's Third Day of Sanctuary Sparks M.I.T. Student-Faculty Support | 11/1/1968 | See Source »

Besides those obstacles intrinsic in the attempt to bring Shaw to life, a few of By George's flaws are Mr. Adrian's, like a build that edges too far from Shaw's gaunt profile, and an accent not in all respects sufficiently malleable. But even apart from the question of looking a gift-horse down the throat, there is no call for gripes, minor or major, about Mr. Adrian's pleasantly contrived evening. The selections themselves, made by Michael Voysey, are for the most part engrossing, and there are times, as with Shaw's mockery of Sir Henry Irving...

Author: By James Lardner, | Title: By George | 10/30/1968 | See Source »

...display of period objects and customs. The two themes, the perversion of every code of conduct and the persistent and self-serving reverence for the code itself come together in the final scene: the principals all do one another in while the Duke of Florence, portrayed with a peculiar accent by Jonathan Raymond, complains that none of what is taking place is provided for in the scenario he holds before...

Author: By Charles F. Sabel, | Title: Women Beware Women | 10/25/1968 | See Source »

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