Word: accents
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Dates: during 1970-1979
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BOMBS EXPLODE IN BELFAST and young children, who know little of the ways of their parents, die. It happens all too often in Northern Ireland, a bleeding sore of a place where a British accent is the law and religion is the best excuse around for killing your friends. Pipe bombs, savage little devils that will indiscriminately swallow up Protestant and Catholic legs, are very popular in Ulster now, but they do not have many friends. Bombs like that maim everyone they meet, and the people who throw them do not apologize. They are not supposed to; they are just...
...lost. Instead of a powerful tale of emotional and cultural conflict, Reid has written an extraordinarily convoluted and cliche-ridden spy story, replete with stoic federal agents, femmes fatales and toothless goons with a penchant for breaking people's kneecaps (a fine old Irish revolutionary tradition). The accent is definitely on the shoot-em-up angle; and if Father O'Neill behaves less like a man of the cloth and more like a pleasantly libidinous edition of Robert Redford--well, at least you know who they've got lined up for the movie...
...Boskone's chief speaker. Brunner, in his books "Stand on Zanzibar" and "The Sheep Look Up," adapted avant-garde literary techniques to speculate on overpopulation and pollution. Brunner seemed to echo the feelings of many people at the convention when he told them, in a clipped British accent, "In my childhood I had the feeling that I was outside the existence of normal people. At a convention like this, I feel that all these strangers are on my side and I can relax...
Genevieve Bujold is a wonderful actress--unfailingly charming--but here she battles four forces which succeed in overwhelming her: the hospital administrators, her skeptical fellow-surgeon lover (Michael Douglas), Crichton's tedious script, and her own French accent, which, despite her valiant attempts to obscure it, makes more comebacks than Napoleon. She does give Coma its interesting moments, however; when she climbs a ladder, the camera looks up her dress with unabashed voyeurism...
...Jones, as the racecar driver whom Olivier hires to supervise the building of the "Betsy," acts decently even if he projects no personality. Lesley-Anne Down, late of Upstairs, Downstairs, is not only ravishingly beautiful (and we see much of her), but speaks with that enticing British accent, which in a Harold Robbins film guarantees class. I have never seen Robert Duvall give a bad performance before, but here he acts alternately demented or disinterested. He rattles off paragraphs of exposition without a change of expression, and during several "tense" confrontations, his eyes wander. Even his moustache looks half-hearted...