Word: accessibilityã
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Such a move could be implemented through online services, collaboration with neighboring institutions, and—in a compromise between ownership and accessibility??€”expansion of the Depository itself...
...what more could a bunch of Black, Latino, and gay DJs hope for but that—a normalization of what was normal for them. It is this optimism—and the belief that the brightest future would see a blurring of the dividing line between intricacy and accessibility??€”that separates this disco from main stage Disco. Perhaps as a result of this hopefulness, many abandoned these ideals for a shot at visibility and acceptance–even if it meant stripping tunes of both layers and intentionality. And so the culture lost its focus. In truth...
...improve greatly if the renovation project aims to better utilize space through minimizing the number of walkthroughs, providing a more diverse assortment of suites from which to choose. Such changes to the layout will not only increase student privacy, but will also be beneficial in terms of improving handicap accessibility??€”something that the current River houses, which lack elevators, struggle to accommodate. In addition, it seems that the idiosyncratic Harvardian quirk of vertical entryways remains, despite the fact that it has outlived its usefulness in fostering social unity. While vertical entryways may be a characteristic feature of Harvard?...
...Potter books and films are (and will remain) one the most widely read stories of all time. Their miracle is their universal accessibility??€”they are loved by toddlers, teens, hippies, yuppies. And besides Potter himself, Albus Dumbledore is arguably the central figure of the entire saga—the only wizard whom Voldemort fears, the man who pulls all the strings, from page one to page zillion, to make sure that Harry can achieve his prophesied potential. Reading the book, Dumbledore becomes our grandfather, our protector, a God figure. To say we love him does not even come...
...Matthew M. Spellberg ’09 and musical director Julia S. Carey ’08 presented four of Louis-Nicholas Clérambault’s 18th century cantatas, last weekend at the Agassiz Theatre. Although the performance started off shaky—both in narrative and accessibility??€”as the evening progressed, all its problems were resolved and the last two cantatas proved to be perfectly executed. According to the program, though the four cantatas performed were short sketches of ancient myths, they were also meant to understood as they would be to a baroque artist...