Word: accessible
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Dates: during 1990-1999
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...defensive. The students are guilty as charged. They don't care much about the council or its agenda--and understandably so. In the competition for the precious waking hours of Harvard students, they're bound to lose. When the competition for our attention is between campaigning for universal keycard access and tutoring underprivileged kids, or between set, it's no surprise that the council will lose every time...
...Final Clubs are there in order to amuse the members is degrading to the women who choose to go to them. Implying that women pay some sort of "fee" by entering a final club conjures up the disturbing (and unrealistic) image that women are prostituting themselves to gain access to these exclusive clubs...
...unproductive end game, why does it keep growing in a period of intensive government cost cutting? For starters, it has good p.r. and an army of bureaucrats working to expand it. A corporate-welfare bureaucracy of an estimated 11,000 organizations and agencies has grown up, with access to city halls, statehouses, the Capitol and the White House. They conduct seminars, conferences and training sessions. They have their own trade associations. They publish their own journals and newsletters. They create attractive websites on the Internet. And they never call it "welfare." They call it "economic incentives" or "empowerment zones...
House Committee treasurer Jessica S. Wu '00 said the reason the hours will not extend past midnight is due to the potential mess cleaning staff will have to deal with after students leave. However, the committee plans to look into 24-hour access...
...first time," while looking at Bartoli's oscillating vocal folds through a tube while singing a high F. The introduction of each new personality takes the author on tangents that lead farther and farther from Bartoli. Yet, this was probably exactly what Bartoli wanted. By allowing Hoelterhoff access to the backstage of the opera world, Bartoli had the right to read everything in the book and to have some control over how she was portrayed. Because of this, Hoelterhoff only briefly mentions Bartoli's gradual weight gain and only paints a few unflattering portraits of the pasta-eating mezzo. This...