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...money could get him a seat. Inside the Hall bedlam would have been let loose again, except for the little white-haired Maestro. He bowed gravely to his wildly-cheering audience, wheeled on his podium, rapped smartly for attention. Toscanini was giving his last U. S. concert not for acclaim, not for money but for the benefit of the Orchestra which has played for him during the past eleven seasons. Once his baton was raised he became the humble servant of Beethoven and Wagner, began by making the first Leonore overture seem so buoyant and tuneful that it was hard...

Author: /time Magazine | Title: Music: Flashlight Farewell | 5/11/1936 | See Source »

...Fellows one-half are hardworking scholars and scientists who need money to travel, buy books and equipment. Such a one is Entomologist Lloyd R. Watson, who will try to breed a race of honeybees with tongues long enough to pollinate red clover. More public acclaim, however, arises around the Guggenheimers annually chosen for their promise of notable artistic or literary achievement...

Author: /time Magazine | Title: Education: Guggenheimers | 4/6/1936 | See Source »

Phil Claff, wandering accordion player, contributed greatly to the success of the Leverett dance last Friday evening, while the music of Craig Hunting's orchestra and the Rabbit Motif in decorating both received their share of acclaim...

Author: NO WRITER ATTRIBUTED | Title: LEVERETT | 3/24/1936 | See Source »

...stormiest which had all the more meaning because it never went wild. Because encores destroy the balance of his programs, this purist refuses to play them, just as he refuses to waste his time on frothy, mediocre music. Most pianists would be vastly impressed by such unanimous acclaim as his playing has received lately. But last week Schnabel was skeptical, saying, "I am not sure that it's good for me to be so popular. I am not sure that it's good for Beethoven...

Author: /time Magazine | Title: Music: Purist | 2/10/1936 | See Source »

...wanton and maddened drunken roistering, are not quite boldly enough emphasized. But that is a retrospective fault. It is a splendid play, and McLaglen is excellent. Margot Grahame and Heather Angel lend tearful vividity to the general gloom. All in all, it is not hard to understand the extraordinary acclaim given this picture last year by professional and popular critics alike...

Author: NO WRITER ATTRIBUTED | Title: AT THE PARAMOUNT AND FENWAY | 1/31/1936 | See Source »

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