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Although a lot of effort was put into Pat McGee Band’s latest, and they are struggling for much deserved acclaim, From the Wood, McGee’s self-produced debut, is a much better investment

Author: By Akash Goel, William B. Higgins, Nathaniel A. Smith, and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: New Music | 4/16/2004 | See Source »

...rebuttal to your statement about undeserved post-summer doldrums acclaim, I present to you Entertainment Weekly’s largely respectable critic Lisa Schwarzbaum and her take on last year’s rigid, bland-as-glue Seabiscuit: “A rare pedigreed entrant in a summer of mules.” It seems many critics (79 percent of them, according to rottentomatoes.com) are not as capable as you think of keeping their cool after a summer of roasted, bloated turkeys...

Author: By Ben B. Chung and Ben Soskin, CRIMSON STAFF WRITERSS | Title: How to Cure the Blockbuster Syndrome | 4/9/2004 | See Source »

...Matheson ’89, a post-doctoral student on Kirshner’s team, was in awe of the transition from relative obscurity to popular acclaim. “All of a sudden we’re working on the stuff that everybody talks about,” he says...

Author: By Meghan M. Dolan, CRIMSON STAFF WRITER | Title: Pen and Paper Revolutionaries: Copernicus In the People's House | 3/18/2004 | See Source »

...Gibson has snorted his derision over the two earlier Jesus films that have earned the most sustained critical acclaim. Asked a year ago by TIME correspondent Jeff Israeli for an analysis Pier Paolo Pasolini's "Il Vangelo secundo Matteo," (The Gospel According to St. Matthew) he faked a big yawn. Of Martin's Scorsese's "Last Temptation," he said, "You've got Harvey Keitel as Judas saying" - and here Gibson shifted into a Brooklyn accent - "Hey, you ovah dere." Maybe his was just dissing his strongest competition. He knew that these films were closest to his, in setting, rigor, power...

Author: /time Magazine | Title: Jesus Christ Movie Star | 2/29/2004 | See Source »

...before it picked up seven Goya awards in February; the film starts its Europewide run in April, but has already taken in over €4 million in Spain. Indie Circle also bought Osama - the award-winning debut from Afghan director Siddiq Barmak, which has just been released to critical acclaim and grossed €210,000 in its first three weeks. "So far, so good," says Mercier. "They've done as well as we expected." Previously, the closest Europe got to a Continentwide network was London-based PolyGram, a film studio that built distribution operations in all the major European territories...

Author: /time Magazine | Title: Playing Against The Big Boys | 2/29/2004 | See Source »

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