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Two Philippine folksongs are prize compositions in a contest sponsored by the Glee Club among native composers. They are saturated with harmonies which must have originated in a Manila barbershop. There are some interesting effects when the lower voices chant monosyllables against a tenor melody, but the overall result often...

Author: By R.m. Scarpia, | Title: Harvard and Princeton Glee Clubs | 11/9/1953 | See Source »

The more taxing C-minor Fantasia did not have this unity of conception. In its opening pages, as in the Menuetto of the E-flat Sonata (R. 282), Mr. Lewin played so slowly that one lost the momentum of individual figurations, not to speak of whole phrases. One might also...

Author: By Alexander Gelley, | Title: David Lewin | 10/27/1953 | See Source »

With the exception of Glenn Burris, the Caliph, the other performers match Drake's buoyancy very well. Henry Calvin plays the Wazir of Police with a cheerful ghoulishness reminiscent of Fancourt's Mikado. In "Was I Wazir," with an accompaniment wisely lifted from Wonderful Town rather than In Central Asia...

Author: By R. E. Oldenburg, | Title: Kismet | 10/24/1953 | See Source »

M. Joel Mandelbaum '53 composed the original music score and conducted the student orchestra which provided the musical accompaniment to the movie.

Author: NO WRITER ATTRIBUTED | Title: 'Gold Coasting' Given Award as One of Top Campus Films of '53 | 10/20/1953 | See Source »

To the rasping accompaniment of a recorded piano, "Miss Ruth" wove her way through some of the Oriental numbers that first made her famous in the U.S. and Europe in 1906-08. In The Incense, she was an Indian woman carrying a tray of smoking incense; Miss Ruth's...

Author: /time Magazine | Title: Music: Triumph of Age | 9/14/1953 | See Source »

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