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...people how he got seriously involved with the camera, a development he liked to explain by way of a story he heard from Isadora Duncan, the famous dancer. For a long time she couldn't bear the sight of the pianist whom her rich lover had hired as her accompanist. One day she and the luckless musician were riding face-to-face in a carriage. Suddenly it pulled up short, and she was flung into his arms. "I stayed there," she told Brassai. "I understood it was to be the greatest love of my life...

Author: /time Magazine | Title: Photography: Brassai: The Night Watchman | 1/18/1999 | See Source »

...task, flawlessly tossing off harmonics, contorted chords, astronomically high melodies and endless strings of fast-paced arpeggios. The piece is interesting in that the final raucous section marked "Fast and Brilliant" also highlights the piano, and at Friday's concert Akira Eguchi, a well-known accompanist and performer in his own right, also rose to the occasion, fulfilling effortlessly his much under-appreciated role...

Author: By Ankur N. Gnosh, CONTRIBUTING WRITER | Title: Virtuoso Shaham Astounds Adoring Audience | 10/23/1998 | See Source »

...hours in an unheated train. She caught cold and by the time she reached The Hague, planning to dance there, influenza had developed, also pleurisy. Death came swiftly, in three days. On the third day she roused from a coma and spoke to Victor Dandre, her husband and accompanist. She thought she was herself again, high on her toes, poised for dancing. "Play that last measure softly," she said...

Author: /time Magazine | Title: 1929-1939 Despair | 3/9/1998 | See Source »

...raisers were the first ("Night") and seventh ("Summer Days"). In each, Upshaw's intonation and delivery etched certain phrases in the mind: "Gib acht" ("give heed") in the first song, and "O Herz" ("O my heart") in the last. Goode continued to be a disarmingly responsive, if sometimes noisy, accompanist...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

...flat piano concerto, K. 271, is Mozart's best such early work. It shows a surprising willingness to disturb the conventionally perfect balance between soloist and orchestra and is driven mostly by the pianist, who must have great endurance. Haefliger, who played with an accompanist's ear when necessary, gracefully allowed Laredo to rescue the concerto from merely unilateral appeal...

Author: By Matthew A. Carter, | Title: Talented Ensemble Makes for Good, Clean Fun | 2/27/1997 | See Source »

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