Word: accompanists
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Dates: during 1980-1989
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...might be moved by Diego's plight, but just at the moment he is involved with a girl revolutionary he smuggled across the Austro-Italian border. Alvaro (Hector Alterio), his sexuality dampened by illness, his ego padded by wry self-awareness, endures, but only as accompanist to the boy when he sets forth on a soloist's career, still blithely unaware of the damage he has done...
...castrate. The outlines of Handel's opera are preserved in the plot, which concerns the struggle for the Holy Land between the Crusaders, led by Rinaldo, and the Saracens, under Argante (Ramey) and the sorceress Armida (Soprano Edda Moser). But Martin Katz, Home's longtime accompanist, has conflated the 1711 and 1731 versions, trimming the recitatives, shortening some arias, shuffling others and even adding a duet from Handel's Ad-meto. It may be argued that Katz is only following a convention to which Handel subscribed. Yet Katz is not Handel; the composer's instincts offer...
What he has got together is his band. Playing without his wizardly accompanist and musical inspiration, David Lindley, who split off on his own 2½ years ago, Browne has cooked up a rock-solid band, so cohesive that it has become part of his creative process. "I started to take unfinished songs to the band and respond as a writer to their suggestions, Browne says. "Your instrument is actually the medium with which you're going to perform the songs. The band is now my instrument...
...opera, and in so doing rendered the works of Haydn and most other 18th century composers out of date. Mozart's ability to portray real emotions on the stage instead of stylized attitudes, and his inventive use of the orchestra as an active participant instead of merely an accompanist, powerfully influenced later generations of composers. In the works he created with Librettist Lorenzo da Ponte-The Marriage of Figaro, Don Giovanni and Così Fan Tutte-Mozart's genius transcended the conventional boundaries of master-servant comedies and lovers' farces to create a new kind of psychological...
Krieger began his long association with the Harvard Glee Club as a freshman in 1955, when he served as an accompanist for the group. With the exceptions of years taken off for medical training and military service, he has played the piano or sung for the group ever since. He has worked under the direction of four different Glee Club directors; has served as the group's graduate manager since 1968 and as tour physician since 1967. In addition, he has been graduate advisor to the Collegium Musicum since its founding 11 years ago, and, until this year, has sung...