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...technique is complete, his tone thinner than some but capable of glorious sunbursts of sound. He is no "Watch me go" virtuoso. His debut program, for example, was devoid of the crowd-arousing Romantic potboilers favored by so many of his Soviet predecessors. Instead, he and his piano accompanist, Xenia Knorre, played Beethoven's dreamy, introspective Sonata No. 10 in G, Op. 96. And wonderfully. They also offered an American work not many U.S. artists take the trouble to learn: Charles Ives' frolicsome Sonata No. 4 (Children's Day at the Camp Meeting...

Author: /time Magazine | Title: Music: Gidon Kremer: Gaunt and Gripping | 1/24/1977 | See Source »

...came out of the anesthesia with partial paralysis of his right arm. The pity was that it ended his performing career. Playing with Cellist Mstislav Rostropovich and his friend Tenor Peter Pears, with whom he shared a semi-manorial brick house in Aldeburgh, Britten was a deft, expressive accompanist at the piano. He was an exceptional conductor, not only of his own works but also of Bach, Purcell and Mozart. His graceful, impassioned version of Mozart's Symphony No. 40 in G minor, for example, is the best on records...

Author: /time Magazine | Title: Music: Britten: 1913-76 | 12/13/1976 | See Source »

Yiddish Folk and Art Songs: Norman Janis, tenor, and Jane Myers, accompanist, Ball Shem Suite for Cello and Piano: Three Pictures of Hasidic Life Near Stufberg, pianist, Jacqueline Holfman, cellist Phillips Brooks House Partor...

Author: By Joseph Straus, | Title: MUSIC | 4/10/1975 | See Source »

Krag was eating dinner at Jordan K one night last spring when the musical director of Kiss Me Kate began to complain about his accompanist, who wasn't any good. Krag "jumped at the chance" to accompany the musical and pretty soon was showing up for every rehearsal, an unheard of thing for an accompanist to do. That led to an offer for the next fall to be associate music director with John Posner for Fiorello!, a Grant-In-Aid production, which led to an offer this spring from the Gilbert and Sullivan board, to be music director of Princess...

Author: By Susan Cooke, | Title: Low-Key Conducting | 3/4/1975 | See Source »

...rehearsal the next night is for the chorus. Thirteen basses, tenors, altos and sopranos are huddled at one end of Shannon in a semicircle around Krag and the piano. Jay Banks, a Gilbert and Sullivan "groupie," is the accompanist. He's a small man, with brown hair, a brown beard, brown rimmed glasses, and a penchant for bright colored turtlenecks. He's a physics major at Harvard and has been involved in a lot of Gilbert and Sullivan shows, often unofficially. He has no part in Princess Ida but he comes to most of the rehearsals and often gives Krag...

Author: By Susan Cooke, | Title: Low-Key Conducting | 3/4/1975 | See Source »

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