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Crawford likes both candidates ("I know Taft's viewpoints and I'm very much in accord with his qualifications. I am waiting to hear more from Eisenhower's own lips, but I have confidence in the people who are backing him"). In fact, the only thing wrong with the two gentlemen, as far as Crawford can see, is that one is bound to lose. Says Crawford worriedly: "We don't want to be in the position of having backed a loser when the winner distributes the patronage...

Author: /time Magazine | Title: National Affairs: The June Brides | 6/23/1952 | See Source »

...than they would be under free and open competition." Then Celler's group surprised everybody, delighted the Fair Traders. It also tentatively decided to okay a bill approving the non-signer clause. (This week the Budget Bureau wrote Celler that "enactment of the legislation would not be in accord with the program of the President.") Outraged, Macy's took ads in Manhattan to blare: "'Fair Trade' is a misleading title. The real title is Price-Fixing...

Author: /time Magazine | Title: Business: Victory for Fair Trade? | 3/10/1952 | See Source »

Francis R. B. Godolphin, Dean of the College, remarked: "This shows how undergraduates working together voluntarily can achieve a result which is clearly in accord with the will of the majority of Princeton men. The result is a magnificent example of responsibility and cooperation on the part of club members and sophomores...

Author: NO WRITER ATTRIBUTED | Title: Nassau Clubs Accept Entire Class of 1954 | 3/4/1952 | See Source »

...midst of a campaign to scrap the existing constitution, Colombia's ruling Conservatives proclaimed that the father of the country was on their side. "We Conservatives," said the Bogota newspaper Eco National, "take pride in the illustrious ascendancy of the Liberator, with whose authoritarian ideas we are in accord...

Author: /time Magazine | Title: COLOMBIA: Back to Bolivar | 2/25/1952 | See Source »

...perfect blend of moral and drama, and director Albert Marre must be credited with an assist. Aside from the opening moments which prepare us for what is to come, there is never a dull scene, never an undefined pause. Characters and speeches are light and dark in complete accord with the dramatic requirements. It is fitting to note in conclusion that Robert O'Hearn's simple set and Francis Sidlauskas' reserved lighting form a neat framework for the play...

Author: By Herbert S. Meyers, | Title: The Idea | 2/15/1952 | See Source »

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