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...accustomed to word-jugglery and nebulous formulas noted with surprise his crisp, matter-of-fact candor. He impressed them as a disciplined, cultured administrator sympathetic to Indian aspirations, less concerned with his office than with Indian good will. To Gandhi (then in jail) he wrote: "I am in entire accord with that aim [Indian self-government] and only seek the best means to implement it without delivering India to confusion and turmoil...

Author: /time Magazine | Title: INDIA: Soldier of Peace | 7/16/1945 | See Source »

Rhapsody in Blue (Warner) is a finer memorial to the late, great George Gershwin than Hollywood, after its tinselly tributes to Chopin (A Song to Remember) and Victor Herbert (The Great Victor Herbert), might have been expected to accord. All the more praiseworthy because it deals with themes often fatal to good picturemaking, Rhapsody manages to portray a genius without groveling awe, to follow a rags to riches career without wallowing in melodrama, and to picture a warmly devoted, richly accented Jewish family on New York's lower East Side without slobberings of sentiment or catalepsies of caricature...

Author: /time Magazine | Title: The New Pictures, Jul. 2, 1945 | 7/2/1945 | See Source »

...Life and Death of Colonel Blimp" is about as confusing in its parody as "The Skin of Our Teeth." Few theatregoers agree on the Wilder hodge-podge and there will be disagreement over the British-made United Artists film as well. On a few points there will be general accord: "Colonel Blimp" is long, technicolored, staid, and generally entertaining...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 5/29/1945 | See Source »

...embittering to fight the "superior race" myth halfway round the world, only to see its fundamental tenets being flagrantly promoted at home. It would seem more in accord with justice to deport and dispossess not Japanese-Americans, but all members of the Japanese Exclusion League...

Author: /time Magazine | Title: Letters, May 28, 1945 | 5/28/1945 | See Source »

...artist, however illustrious, whose work was, after all, under stood by relatively few, being publicly identified with a popular party, and whether revolutionary art, such as his, was not at bottom even resented by the revolutionary masses." Life & Logic. " 'There is just such a want of accord between the two revolutionary forces,' he conceded. 'But life isn't a very logical business, is it? As for me, I have to act as I feel, both as an artist and as a man.' "There was a pause; he suddenly...

Author: /time Magazine | Title: Art: Picasso at Home | 5/7/1945 | See Source »

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