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...fairness to Counting Crows, however, the new version of "Mr. Jones" was immensely moving and served to reinforce what the band is all about. Keyboardist Charlie Gillingham provided a haunting melody on an accordion that complemented Duritz's new lyrics to the song, which included the introduction of words from "So You Wanna Be a Rock and Roll Star" by The Byrds. Reflecting on the band's bittersweet feeling about their own fame--something that did not exist when the song was first written--Duritz sang, "We all wanna be big, big stars, but then we get second thoughts about...

Author: By Marc P. Resteghini, CONTRIBUTING WRITER | Title: Fans Out of Tune with Stellar Crows Show | 11/7/1997 | See Source »

...acoustic version of "Omaha" followed "Mr. Jones" before Duritz sat back down at the piano to play "Raining in Baltimore." With the exception of Gillingham, who played the accordion for parts of the song, the rest of the band sat quietly. Duritz concluded the song by continuously repeating the final line, "I need a raincoat," with a sad emotion in his voice so piercing that it would not have been surprising if someone had been driven up on stage to actually give the poor guy a raincoat...

Author: By Marc P. Resteghini, CONTRIBUTING WRITER | Title: Fans Out of Tune with Stellar Crows Show | 11/7/1997 | See Source »

Incorporating this style throughout the performance reveals the true depth of creativity and talent in the dancers. The segment "Accordion To You," in which two people fight over a piece of toast while an accordion is played in the background, has a more of a skit-like quality than some of the other segments. The movement here, while just as impressive, is more playful and calls on the performers to be actors as well as dancers. "Limning Twilight," in contrast to "Accordion To You," is slower and more expressive. The choreography is not as much playful as it is polished...

Author: By Julie L. Lipscomb, CRIMSON STAFF WRITER | Title: Bodies Liquefy in Harvard Grad's 'Snappy Crayons' Sequel | 9/29/1997 | See Source »

...week or so preceding the operation, the pro-Yeltsin media did their best to enhance Chernomyrdin's image, showing an avuncular, accordion-playing man of the people--unchanged by the enormous wealth that some specialists claim he has accumulated thanks to his connections with Russia's oil and gas industry. But when it comes to real political power, Chubais will probably retain the inside edge. In large part this will be because of his close political relationship with Dyachenko. A near contemporary of Chubais'--she was born in 1960, he in 1955--and like him highly educated, Dyachenko has emerged...

Author: /time Magazine | Title: THE TATYANA TROIKA | 11/18/1996 | See Source »

...meaning of R.E.M.'s lyrics is usually enigmatic, and the songs are often constructed in an offbeat manner. On the new album, for example, Leave begins with an acoustic guitar dancing slowly with an accordion-like sound, before a blaring synthesizer, sounding almost like a police siren, kicks in. New Test Leper finds the band in a gentler mood. It's a soothing, meditative song that's tunefully and tastefully sweetened by a mandolin. A big rock number, Undertow, is an expansive and expressive crowd pleaser that the band played on its last concert tour...

Author: /time Magazine | Title: MUSIC: NEW ADVENTURES IN HI-FI | 9/2/1996 | See Source »

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