Word: accordions
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...title. Amid reasons for sorrow, the Mundy women held onto joy. The three couples in Tennessee who come to the same lonely rural spot for a birthday outing seem defeated by ordinary travails. The one vital outburst, a passage from Beethoven's "Moonlight" Sonata played on the accordion, expresses rage as much as rapture and comes from a man who knows he is dying...
...goes into making the songs messy: writing clever-odd lyrics, playing with AM radio-quality sound, or with cheap, half-broken microphones--anything that will throw their "pop" talents into sharper relief. "Marchers in Orange," on this new record, lasts about a minute and has no guitars, just an accordion and a bass: the vocal melody does all the work. "Gleaner (The Deeds of Fertile Jim)" uses a deadpan strum not unlike the one perfected by college-radio heroes Sebadoh (whose "Brand New Love" the knowing lyrics quote). "Exit Flagger" rides a pushmepullyou-like hook to the chorus, where...
...hook-laden odes to the ordinary man. Early hits that hinted at the darker dimensions of suburbia, like Jack and Diane and Pink Houses, sold millions and made Mellencamp an MTV star. On later albums, like Scarecrow (1985) and The Lonesome Jubilee (1987), he used electric violin and accordion to evoke the bucolic grit of rural America. At the same time, his longstanding commitment to Farm Aid, which he co-founded with Willie Nelson in 1985, gave his prairie- roots message an activist urgency...
...hook-laden odes to the ordinary man. Early hits that hinted at the darker dimensions of suburbia, like Jack and Diane and Pink Houses, sold millions and made Mellencamp an MTV star. On later albums, like Scarecrow (1985) and The Lonesome Jubilee (1987), he used electric violin and accordion to evoke the bucolic grit of rural America. At the same time, his longstanding commitment to Farm Aid, which he co-founded with Willie Nelson in 1985, gave his prairie- roots message an activist urgency...
...stories of a few local families and their amorous and violent intertwining histories. The main storyline, if it can be called that, concerns the killing of Lion-heart Gamuzo, and the later death of his murderer. The narrator is obsessed with the particular mazurka that Gaudencio Beira, the blind accordion player at the local brothel, performs only upon these two occasions. Gaudencio's widowed sister, Adega, contributes her recollections and opinions on matters of life, death, magic and incidental gossip. "Some deaths brings sorrow but there are also those that bring great joy...." she notes at one point. "When...